In this last part of the interview with Cristina from the music group El Columpio Asesino (The Killer Swing), we will discover some of her memories from the old days, including some very special ones that include her lifelong friend Fermín.

In the third part of her interview from her farewell tour, Cristina from the group El Columpio Asesino [The Killer Swings] talks to us about what she and the band will miss the most about performing and hanging out together and to whom they are dedicating their final performances.

From their farewell tour, El Columpio Asesino's [The Killer Swing's] lead singer Cristina talks about what the band has meant to her, the formats for their final dates and her mixed feelings about the band's dissolution.

On this edition of "Tu Música" (Your Music), Yasmina and José Luis welcome the music group El Ensamble Latino (The Latin Ensemble), which is made up of members of many nationalities. Let's hear about how they came together.

In this fourth part of Fermín's interview with Cristina from El Columpio Asesino [The Killer Swings], she explains what her daily life is like outside of the band and addresses the possibility of future, post-band projects.

Fermín interviews Cristina Martínez, the lead singer of the band El Columpio Asesino [The Killer Swing] from Navarra, Spain. After some brief introductory questions, Cristina talks about why the group has decided to break up at the peak of their success.

In this interview conducted by Yasmina and José outside of the Tu Música (Your Music) radio show studios, we will learn more about the musical history of Venezuelan artist Néstor Rojas, a member of the group El Ensamble Latino (The Latin Ensemble).

Tu Música continues with this interview with the music group El Ensamble Latino, which, at the time of the interview, had been together for only four months and managed to combine diverse music styles from the cultures of Argentina, Chile and Venezuela.

Karla and Fernando discuss some differences between two types of traditional Mexican music: mariachi and bolero, pondering the occasions for which each might be better suited.

Let's discover yet another upbeat Colombian musical genre with Antonio, porro, by listening to its melody and witnessing how it is danced.

Antonio shares with us some fascinating facts about rumba, a popular Cuban rhythm, from its African roots to its influence on other musical genres.

This first edition of Sonido Babel [Babel Sound] is devoted to one of the most famous Latin American musical genres: cumbia. Originally from Colombia, its rhythm and infectious energy can now be found on every corner of the earth.

This love song tells the story of a lost opportunity and a new adventure, all in the same night.

Lifelong mariachi artists explain their passion for the mariachi music and way of life.

The hostess of "Sin Desperdicio" interviews the members of the music group, Heaven Rays, the first place winners of its recent contest, who try to create a rock/heavy metal fusion with a positive message.

Humberto Morales from Ecuador teaches us about the Zampoña, a traditional Andean instrument.

An Ecuadorian player of the siku, a traditional Andean instrument, tells us how his music has taken him around the world.

Araceli Garcia, a flamenco student in London, England, explains a bit about her history with this enticing dance and what it means to her.

Annya shares a bit about her background in flamenco and what she feels makes it unique among other art forms.

William Bonilla is a good friend of ours who invited Yabla to his apartment to share his points of view about his musical career. Here, he talks about his beginnings.

Novalima mixes Peruvian folk music with electronic beats. Touring has become an important source of inspiration. That’s how they translate their musical roots onto the dance floor. Universal tunes with local sounds!

Enrique Iglesias discusses his record Cosas del Amor, and calls it the best recording he’s made in his career so far. He also discusses tricks for sneaking cheat notes into an exam and flirts shamelessly with the interviewer.