In 1971, in anticipation of the Pan American Games to be held in Cali, Colombia, the overwhelming pace of the city's development is the topic of conversation at a multifamily celebration.

At a New Year's gathering for the two families, different dynamics become apparent between different couples.

The closeness of two families from the same Colombian neighborhood, the Belalcazars and the Lizcanos, goes far beyond the proximity of their residences.

A pair of down-and-out criminals set their sights on an ambitious, vulnerable young woman.

Taking the question of two of its viewers into account, Tecnópolis demonstrates how to make a magnet.

Tecnópolis interviews world-renowned flamenco singer Antonio Carmona, a former member of the acclaimed group, "Ketama."

Mother Superior thinks she’s tucked them both safely in for the night, but Milagros and Gloria have other ideas, and they don’t involve preparing for mass the next morning at seven a.m. Can they possibly get away with it?

Milagros is sidelined from the fútbol match and forced to peddle soda pop to pay for the team’s new shoes. Meanwhile, el patrón is getting the third degree from his mother, who lets on to us that he’s got a guacho child of his own on the loose—spawned with the butler’s sister?