The 2003 miniseries Disputas [Arguments] tells the tale of four prostitutes and their madame, Amelia. Following her separation, Amelia unites with a past flame to open a brothel with a colorful cast of employees, each with her own unique quirks and set of circumstances.
Difficulty: Adv-Intermediate
Argentina
What exactly does Soledad care about that fellow’s uncle? And is the former child star really concerned with the girls’ ability to earn a living? Stay tuned…
Difficulty: Adv-Intermediate
Argentina
Gala says she is ill in the guardia of a hospital, but that doesn’t seem to be the case at all. Meanwhile, Majo is intent on interrupting her husband’s enjoyment of a good book.
Difficulty: Adv-Intermediate
Argentina
Cianuro is, as you may have guessed, the Spanish term for “cyanide,” a poison that has long been used to propel dramatic intrigue. In Gabriel García Márquez’ Love in the Time of Cholera, for example, the photographer kills himself with it. Watch closely for the lethal chemistry cameo.
Difficulty: Adv-Intermediate
Argentina
Majo’s daliance with a washed-up actor will soon prove to provide her with a little more drama than she’d bargained for. Gloria senses that his role might not be the hero’s but Majo is oblivious. Meanwhile Gala meets one of those cincuentones (guy in his fifities) that Melina has promised her.
Difficulty: Adv-Intermediate
Argentina
It’s a slow night at Amelia’s little casa de tolerancia. Gloria takes off to see her son, Luchi, and Soledad disappears with young Carlos, who has once again arrived with a pocket full of pesos. Amelia finds that she has an itch in her stockings, and an obliging Raymond is beckoned to scratch it (while the great José Luis Perales once again sets the mood).
Difficulty: Adv-Intermediate
Argentina
Poor Bertolt Brecht should have suffered with Majo’s free version of one of his most well known poems “Ahora Me Llevan a Mí.” Her performance not only disturbed the German playwright’s sleep but also wasn’t delivered to the right audience, was it?
Difficulty: Adv-Intermediate
Argentina
Majo’s theatrical aspirations seem to have been crushed by reality. Meanwhile Gloria is trying without success to balance intimacy and family.
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