Haciendo un poco de investigación descubrimos que la comedia musical que Arturo Vega hizo con Héctor Suárez en el Teatro Insurgentes titulada Sigue tu onda, fue una adaptación al español del show de Broadway Your Own Thing. Tiempo después el mismo Arturo estaría viajando a Nueva York para ver si podía conseguir un papel en Hair ...

Guillermo gives us an in-depth explanation of the manner in which Maya ceremonies were used to welcome the seasons, each of which represented a unique consciousness.

Our good friends from México City are willing to talk about everything: good, bad or ugly. Here we have their take on kidnapping, one of the growing fears of Mexicans.

Arriving in December of ‘71, a young Arturo Vega decides that it is New York where he is going to clavar, or stay put. His journey began in Mexico, where he began his artistic life as an actor and participant in experimental theater or “happenings”—an art form which was not well received by the powers that be in that country.

We’ve all heard of the bolero, which has its modern roots in nineteenth century Santiago de Cuba (even though we might not be able to hum one on cue). But what about the cuartetazo? Born in Córdoba, Argentina, and derived from Spanish and Italian dances, the name is derived from the fact that the earliest players were invariably four-piece bands. The rhythm is similar to merengue.