Luis explains to Monica how, in order to write for others, one must first write for him or herself.

Carlitos tells a funeral joke.

Francisco sees potential for creation and innovation in a wide range of materials: drift wood, shells, seeds, goat skin, even plastic debris. He is speaking with the governor about creating a tallerr, or workshop, that can be used to teach artistic skills to the young people of the area, as well as to showcase the work of other local artisans.

Maria Lionza is said to have been born in 1502 to an Indian Chief in the Yaracuy region of Venezuela. Today she is revered throughout the Caribbean by followers of the syncretic cult which is named after her, but artists too find her an irresistably mystical symbol alluding to history, race, and sex. Her painting hangs on the wall of Francisco’s taller in Adícora.