With Mr. Valente shot, several souls are left not knowing exactly what to do. The camera cuts back and forth between his son and his fiancee as a heart-wrenching rendition of "Ruega por Nosotros" ("Pray for Us") is sung.

Why is Mr. Valente having drinks with his son’s bullies? He’s trying to teach them a lesson. But the lesson soon gets lost in the gun fire, with two men down.

Meet Mariano Martinez, boat driver and tour guide of Port Lligat. He’ll tell you about how he got here, what the boat trip is like, but don’t ask him too many questions!!

While Mr. Valente reveals to the shapely shopkeeper whom he’s intending to marry, his son is being tormented by bullies.

Mili fights off more advances from her boss, and without pussy-footing around. She has better things to think about: new ideas for making money. Meanwhile, Luisa discovers that the clothes she laid out are no longer there; Bernardo keeps up his act of innocence, and Luisa gets more and more furious as Angelica looks on.

Ramón Hernández Barajas was born to paint. Take a tour of his studio while he discusses his work and his “armchair” philosophy of painting.

The Beltrans and the Landeros are taking over all the land in the area, so a friendly favor is asked: to keep watch over a deed title. Back in town, the young Valente is bullied by two bigger boys; but someday, the young boy swears, he’ll get back at them. Meanwhile, shopping for a wedding dress causes some confusion.

Ivo is at work on the construction site, and he brings Milagros along. She’s interested in his work, in his co-workers, and in… what the construction workers are eating. Meanwhile Bernardo is helping Luisa, but not in the way she thinks! While she relies on him for help getting ready, he is really only helping her think she’s going crazy.

Martin, Eduardo, and Karla take a trip around the Chubut province of Argentina, learning about and filming each cities’ fauna. On this leg of the trip, they are in the Valdes Peninsula to see the elephant seals and their breeding grounds.

This classic Mexican western begins with a boy and his godfather discussing bravery. We all experience fear, but we mustn’t be dominated by it, says the godfather. The boy is just getting over hepatitis, and is eager to accompany the doctor back to town…

Uruguayan musician Gonzalo Yáñez has been making music from a very young age. After working with different groups, he began his solo career in 2004. In this song, the title track of his latest album, he blends acoustic guitar with synthesized sounds, and the catchiness of the chorus contrasts with the darkness of the narrative lyrics.

People lose hope all the time. But new hopes are born every day: hopes of changing stations in life, of winning over someone’s heart. Ivo and the Doña are both busy inspiring dreams in others.

Mili can’t concentrate during her table manners lesson… she’d rather learn about men. Meanwhile, Pablo seems to have broken out of his self-induced solitude, but is it too soon? Like anyone would, Ivo wants to help his best friend get what he wants… but if that something is Ivo’s sister, will he still be a true blue friend?

Bajofondo is, according to the group, a “collective of composers, singers and artists.” They started out as the Bajofondo Tango Club with a strong tango influence, but have since broadened their sound. Here they talk about the collective and begin a discussion of their sound.

Camilo Lara is the man behind the Mexican Institute of Sound (when he’s not busy being the president of EMI Music in Mexico). With this project, he intended to create a fusion of traditional elements with electronic music. MIS tunes have been invading TV and advertising lately; see if you recognize the song “Alocatel.”