Majo’s theatrical aspirations seem to have been crushed by reality. Meanwhile Gloria is trying without success to balance intimacy and family.

This is the final part in Natalia Oreiro’s biography. We have seen family, friends and coworkers talk about her successful professional career and personal life. We’ve felt both jealous and glad when listening to all her achievements. Luckily, Natalia is still working hard to please us!

Once again Mili has to face Ivo. They’re sharing a roof after all. But this time she seems to have a strategy suggested by good friend and inexperienced but enthusiastic hairdresser Mariposa. Will it work? Heavenly houseguest Sister Catalina is leaving. The fridge is empty and we learn what planchar used to mean.

Natalia Oreiro’s life keeps getting better after her marriage to Dividos’ Ricardo Moyo. But she knows that when you get so much from life, you have to give something back, and that’s why she’s constantly trying to help people.

Poor Bertolt Brecht should have suffered with Majo’s free version of one of his most well known poems “Ahora Me Llevan a Mí.” Her performance not only disturbed the German playwright’s sleep but also wasn’t delivered to the right audience, was it?

This Argentine hip hop artist reminds us of the artist formerly known as the artist formerly known as Prince. Dante has been recording since he was 14, as part of the very successful duo known as Illya Kuryaki and the Valderramas.

Off-screen, Natalia Oreiro’s love life sounds a lot less complicated than her on-screen characters’. After her six-year relationship with fellow actor Pablo Echarri ended amicably, she found love with the front man of the band “Divididos,” Ricardo Mollo, with whom she had more in common with than people seem to think.

Mili is dressed to kill, ready to go to the bailante to meet Lina. Bobby and Ivo are already there dancing. Ivo blows off steam by telling Bobby that he’ll have his grandmother get rid of the source of his problems, who then shows up. What will happen next?

It’s a slow night at Amelia’s little casa de tolerancia. Gloria takes off to see her son, Luchi, and Soledad disappears with young Carlos, who has once again arrived with a pocket full of pesos. Amelia finds that she has an itch in her stockings, and an obliging Raymond is beckoned to scratch it (while the great José Luis Perales once again sets the mood).

Milagros comes clean about how she found out about the bet between Ivo and Bobby. Despite advice to sleep, Cholito leaves behind her fútbol playing personality and pigtails for the Mili of the night life when she decides to salir a bailar.

Milagros, aka Cholito, aka Mili, gets glum about being a rata traicionera.
Bobby laughs it up at Ivo who now owes money to both Bobby and Millie. What better way to aflojarse a little than to go dancing?

Elena claims she only wants to tell Mariano about the bills, but if you believe that we’ve got a bridge in Uruguay we’d like to sell you. Mariano, well, he just doesn’t seem to be able to say the right thing. Hombres.

Sure, Natalia has had it rough. A certifiable worldwide hit with Muñeca Brava, a stud actor boyfriend followed by a superstar musician boyfriend, a rising singing career; she’s the kind of girl many mere mortals would love to hate. But… she’s just impossible to dislike!

Majo’s daliance with a washed-up actor will soon prove to provide her with a little more drama than she’d bargained for. Gloria senses that his role might not be the hero’s but Majo is oblivious. Meanwhile Gala meets one of those cincuentones (guy in his fifities) that Melina has promised her.

Tomás’ parents are leaving him all alone for the weekend, and Juan is quick to come up with a plan. Violeta, meanwhile, is cooking up plans of her own, but they don’t involve Mauro—despite his attempts to woo her back with flowers.