Javier Garcia was born in Madrid to a Cuban father and spent his earliest years in Spain before heading to boarding school in Ireland (from whence his mother comes), finishing high school in Miami after the age of 16. So what kind of Spanish accent does he have? Well, by his own admission, something of a Cuban one when he sings, a kind of a Spanish one when he talks… (we called him and asked!)

We’ve all heard of the bolero, which has its modern roots in nineteenth century Santiago de Cuba (even though we might not be able to hum one on cue). But what about the cuartetazo? Born in Córdoba, Argentina, and derived from Spanish and Italian dances, the name is derived from the fact that the earliest players were invariably four-piece bands. The rhythm is similar to merengue.

¿Quién es Javier García? With his producer (and two-time Academy Award winner) Gustavo Santaolalla, Javier Garcia talks about his roots and influences. Also, we learn about some noted musicians who contributed to the album 13, including the great trumpet player, Arturo Sandoval.

Javier Garcia. Keep your ear to the sound system, we’re catching his tunes popping up at downtown lounges and restaurants. Come along for a ride as our man is at the helm of the tranquila bus. This song was Javier’s first release, and garnered gold records in three countries. It’s guaranteed to have you moving “suave, suavecito.”

If Javier doesn’t get you swinging, swaying and stumbling over your two left feet with this tune, you’re at the wrong site! The trumpet is courtesy of the incomparable Arturo Sandoval, who we had the pleasure of seeing at the Blue Note a while back. A drunken and noisy Tom Jones showed up mid-set with full entourage, causing the fiery Sandoval to call for ¡cállate!

Me Gustaria blends Cuban son, guajira and charanga, accented with a little hip-hop. Javier Garcia “would like” to please your musical palate, give it a listen!

Ever find it nearly impossible to get home after a rough night out? Javier Garcia gives musical life to just such a scenario in A Casa. Cuídate, it’s a catchy tune!

If you have ever seen Almodovar’s Matador you are familiar with the “black widow” phenomenon. Javier García explores the same territory here, tongue firmly in cheek, in his remix video for Me Gustaría, which might make you think twice before chatting up that sexy pole dancer you meet at the airport.