In Part 2 of our dessert-making lesson, Natalia shows and tells us the importance of beating the “huevos” into a smooth consistency. After the eggs are whipped into shape, we’re heating up the “leche” until it bubbles but doesn’t quite boil. Seguimos con capítulo 3.

In the final chapter of our trio of dessert clips, Natalia puts the milk, the eggs and the caramelized sugar together. After some time in the oven and then some more time in the refrigerator, you’re ready to enjoy some “leche asada” with a cup of café or plain old milk.

Released in March 2015, "Hasta La Raíz" is the title track of Mexican pop-rock singer and songwriter, Natalia Lafourcade's album.

Natalia from Ecuador explains to us those adverbs that describe the order in which a sequence of events take place.

Natalia from Ecuador gives us some tips regarding some simple words and expressions we might use to communicate when visiting our favorite Spanish-speaking country.

Natalia explains to us about the four types of temperaments and how understanding your own can help you to best utilize your personal characteristics and interact with others.

Her name is Milagros- her nickname, “Cholito”. She’s wild on the soccer field, and not much tamer off of it. An orphan, she was brought up in a convent. But now she’s almost 18, and she will have to make her own way in the world. The world might not be quite ready…

The stupendous Natalia Oreiro released the fiery single “Me Muero De Amor” even before it became the theme song for Muñeca Brava, in which she also stars. The show was a smash hit not only in Latin America but also in Europe and the Middle East, and as such buoyed worldwide sales of the record.

The house is called “La Soledad”, which might be fitting enough for some of the souls who dwell within it. Grandma hasn’t left her room in years, nor is she on the best of terms with her son, the patriarch of the house. He, in turn, is no longer exactly enamored with his wife, nor sympathetic to her weakness for the bottle. The fun is just beginning…

Victoria isn’t exactly what you’d call “deep”, but she’s no pushover. She knows what she likes, and what she doesn’t. She certainly doesn’t like to be called Vicki, nor does she enjoy the company of Bobby, her brother’s chatterbox friend. She strives for ever more glamour and refinement, even deciding to change the name of her driver from Rocky to the more patrician “Morgan”.

Mother Superior thinks she’s tucked them both safely in for the night, but Milagros and Gloria have other ideas, and they don’t involve preparing for mass the next morning at seven a.m. Can they possibly get away with it?

Federico’s secretary invites him over for dinner, but there will be no berries and cream if she can’t be the master chef. Meanwhile… our delinquent little minas have escaped the confines of the convent orphanage.

Tío, there is something creepy going on upstairs in that big house! Anyway, the real action is at the dance hall, and that’s where we find our truant heroine, Milagros, and her willing accomplice, Gloria.

In the previous segment we found Milagros and Gloria shaking it to un ritmo vallenato from Colombia’s Caribbean coast. Upon her return to the convent, Milagros is singing Ricky Maravilla’s "¿Que tendrá el petiso?" which probably got its inspiration from "Locas por el mambo", a huge 1950 Havana hit from the great Benny Moré.

It seems the brother-in-law is having an affair with the cook’s daughter, who is trying to get him to help her out of her maid’s uniform, and not only during the wee hours of the morning. But it doesn’t seem like el patrón is in the mood to be doing any favors for his wife’s brother, does it now?