Her name is Milagros- her nickname, “Cholito”. She’s wild on the soccer field, and not much tamer off of it. An orphan, she was brought up in a convent. But now she’s almost 18, and she will have to make her own way in the world. The world might not be quite ready…

Victoria isn’t exactly what you’d call “deep”, but she’s no pushover. She knows what she likes, and what she doesn’t. She certainly doesn’t like to be called Vicki, nor does she enjoy the company of Bobby, her brother’s chatterbox friend. She strives for ever more glamour and refinement, even deciding to change the name of her driver from Rocky to the more patrician “Morgan”.

Mother Superior thinks she’s tucked them both safely in for the night, but Milagros and Gloria have other ideas, and they don’t involve preparing for mass the next morning at seven a.m. Can they possibly get away with it?

This episode guest stars the legendary Nacha Guevara, who plays Melina, a fiery blonde who seems to have something of a history with Flavio, though he still pines for the lovely madame, Amelia.

We all know that little boys always pull the pigtails of the girls they like, and likewise little girls like to punch and annoy the boys they like, but do big kids also play rough with their secret crushes? If so, Mauro might be right in thinking that Violeta will be his some day… or maybe she really does despise him? At least she didn’t let go! Watch and find out what we mean…

Jose (Josie) and Manuel (Mani) are great friends, and hang out together all the time. When Mani starts to go out with Clara, he’s got more than just friendship in mind, and Jose’s jealousy is getting the best of her.

Mauro fired Juan from the record store. But why does his sister care? Sergio wants a chance to explain things to his wife Dolores, but why doesn’t she want to hear it? Tune in and let’s try to figure it all out.

Juan and Violeta’s mom overhears them talking, and finds out that Juan has been fired. She doesn’t take the news well. Meanwhile Dolores continues to tell Sofi about the line Sergio has been feeding her.

A show about four professional women who live in the big city and talk about sex and men all the time? Where on earth did Telefe come up with this idea?

That mujeriego Mariano has really messed with poor Elena’s head. If we were her, we’d dump the scoundrel for Durand, the suave French lawyer, tout suite.

Sometimes if you’re sitting at home, depressed, stewing in a pot of emotional turmoil and angst, really the best thing to do is just go out and shake it! (P.S. If your boss looks like she’s taken the bullet train to Splitsville, we strongly suggest you don’t mention it… especially if you are looking for her to sign off on your French classes!)

It turns out that Tere wants to learn the piano, just like grandma. Or could it be she just wants an excuse to be with Juan? Mani stops by Amalia’s kiosk but forgets his Oreos on the way out.

Milagros is sidelined from the fútbol match and forced to peddle soda pop to pay for the team’s new shoes. Meanwhile, el patrón is getting the third degree from his mother, who lets on to us that he’s got a guacho child of his own on the loose—spawned with the butler’s sister?

Goods and services that show up on our urban doorsteps are the ultimate in convenience. Latin Americans love el delivery as much as anyone, maybe even moreso.

The meaning of fascista is self-evident, but Southern Cone countries also use facho. Balas, of course, are “bullets” but in some countries also have the alternately slang meaning of “homosexuals” or “gays.” Balas and Fachos are, evidently, also the names of tv shows in which Majo and Gloria’s young client stars.

What exactly does Soledad care about that fellow’s uncle? And is the former child star really concerned with the girls’ ability to earn a living? Stay tuned…

Gala says she is ill in the guardia of a hospital, but that doesn’t seem to be the case at all. Meanwhile, Majo is intent on interrupting her husband’s enjoyment of a good book.

Cianuro is, as you may have guessed, the Spanish term for “cyanide,” a poison that has long been used to propel dramatic intrigue. In Gabriel García Márquez’ Love in the Time of Cholera, for example, the photographer kills himself with it. Watch closely for the lethal chemistry cameo.

You know, it’s never the drummer or the bassist that gets the big ego, it’s usually el cantante. In this case one is about to ruin Viole’s big opening party by refusing to play on a small stage. Is this Juan’s big chance for rock and roll stardom, or is he better off sticking to his new job as plomo (roadie)?

The cocktail party effect explains our ability to isolate a solitary voice amidst a sea of yappers, music and crowd noise. Let’s meet our ladies at the disco, where background noise and the effects of actual cocktails upon speech put our own c.p.e. skills to the test. (This one is hard, use the SLOW button!)

Elena is absolutely certain she will not be calling Mariano, her estranged, cheating boyfriend. She professes this fact repeatedly. But when Vero drops by, still tipsy from the club, discussion of lonely reality has its effect. She breaks down and picks up the phone…

Mauro thought he’d seen the last of Juan when he fired him from the record store, only to find the boy raiding his kitchen fridge! Mauro attempts to throw him out but his mom intervenes. It turns out that Mauro’s sister Teresa has convinced her mother to pay Juan to teach her to play the piano. Mauro is not amused.

Majo’s daliance with a washed-up actor will soon prove to provide her with a little more drama than she’d bargained for. Gloria senses that his role might not be the hero’s but Majo is oblivious. Meanwhile Gala meets one of those cincuentones (guy in his fifities) that Melina has promised her.

Tomás’ parents are leaving him all alone for the weekend, and Juan is quick to come up with a plan. Violeta, meanwhile, is cooking up plans of her own, but they don’t involve Mauro—despite his attempts to woo her back with flowers.