Her name is Milagros- her nickname, “Cholito”. She’s wild on the soccer field, and not much tamer off of it. An orphan, she was brought up in a convent. But now she’s almost 18, and she will have to make her own way in the world. The world might not be quite ready…

The stupendous Natalia Oreiro released the fiery single “Me Muero De Amor” even before it became the theme song for Muñeca Brava, in which she also stars. The show was a smash hit not only in Latin America but also in Europe and the Middle East, and as such buoyed worldwide sales of the record.

The house is called “La Soledad”, which might be fitting enough for some of the souls who dwell within it. Grandma hasn’t left her room in years, nor is she on the best of terms with her son, the patriarch of the house. He, in turn, is no longer exactly enamored with his wife, nor sympathetic to her weakness for the bottle. The fun is just beginning…

Victoria isn’t exactly what you’d call “deep”, but she’s no pushover. She knows what she likes, and what she doesn’t. She certainly doesn’t like to be called Vicki, nor does she enjoy the company of Bobby, her brother’s chatterbox friend. She strives for ever more glamour and refinement, even deciding to change the name of her driver from Rocky to the more patrician “Morgan”.

Mother Superior thinks she’s tucked them both safely in for the night, but Milagros and Gloria have other ideas, and they don’t involve preparing for mass the next morning at seven a.m. Can they possibly get away with it?

Federico’s secretary invites him over for dinner, but there will be no berries and cream if she can’t be the master chef. Meanwhile… our delinquent little minas have escaped the confines of the convent orphanage.

Tío, there is something creepy going on upstairs in that big house! Anyway, the real action is at the dance hall, and that’s where we find our truant heroine, Milagros, and her willing accomplice, Gloria.

This episode guest stars the legendary Nacha Guevara, who plays Melina, a fiery blonde who seems to have something of a history with Flavio, though he still pines for the lovely madame, Amelia.

Gala shops for a new camcorder from the point of view of the display model, leading us into the show’s intro and theme song, "Me Llamas", by José Luis Perales. Perales got his first record deal as a student in Sevilla in 1970, and his romantic ballads have graced the charts ever since.

You may get the feeling that Soledad didn’t have the most stable childhood, but she’s a survivor, and she assures her aging uncle that she’ll stick by him too. Gloria, meanwhile, is telling her young son, who hasn’t yet started school, how academic grading works.

Sole likes her candy, but she’s not averse to sharing it. In Spanish, a lollipop is known as chupa-chups, piruleta or paleta. Do you have a favorite flavor?

The opening theme song of Verano Eterno, a show that follows a group of friends in a lakeside community, is filled with poetic phrases and metaphors. Enjoy this clip while today explodes.

We all know that little boys always pull the pigtails of the girls they like, and likewise little girls like to punch and annoy the boys they like, but do big kids also play rough with their secret crushes? If so, Mauro might be right in thinking that Violeta will be his some day… or maybe she really does despise him? At least she didn’t let go! Watch and find out what we mean…

Jose (Josie) and Manuel (Mani) are great friends, and hang out together all the time. When Mani starts to go out with Clara, he’s got more than just friendship in mind, and Jose’s jealousy is getting the best of her.

Amelia and the girls at first don’t know what to make of him, a small man who arrives with a big wad of money. Soon enough it becomes apparent, Santiago Ritchie is intent on having more than a little fun. (But could that be the only reason for his largesse?)