While Fercho and Fabiola argue, things seem to go back to normal between Soledad and Boris. Susana, on the other hand, seems obsessed with the idea of buying a TV.

While Fabiola continues to contemplate the idea of working, Boris takes Soledad to a very unique place, where something unexpected happens.

Susana and María's obsession with getting a TV only gets worse when they realize that people they look on already own this coveted household item.

This segment recreates the riot of February 26, 1971, in Cali, Colombia, a date that the city will never forget. In addition to these events, María and Susana's relationship is experiencing its own trauma.

As the arrival of Susana's TV at her home stirs things up in the neighborhood, Pedro and Eddy's enthusiasm is quelled by some unexpected news on the radio.

Riots, death, a curfew, a missing person, and business failures are the topics at hand in this new segment of La Sucursal del Cielo.

As Samuel and Don Pepe search for Soledad in the midst of a precarious situation, Soledad can't stop thinking about her friends' fates.

Even when given the opportunity, Soledad is unwilling to go home without first finding out what has happened to her friend Guillermito.

Soledad's devastation upon her arrival at home may have serious consequences for her relationship with Samuel. Meanwhile, Pedro and Eddy have come to the conclusion that they are truly unlucky.

Susana has a problem that needs resolving and ironically seeks help from the person who has always been there for her. In the end, the long-awaited boxing match brings together all of the neighbors around the only working TV.

In spite of their differences, Mariela and Samuel finally manage to have a cordial conversation while Soledad continues to feel utterly devastated over her double loss.

"Toda la vida" ("All My Life") is the theme song which opens the Colombian version of the American hit series The Wonder Years. The song is a cover of a hit Italian song,"Tutta La Vita", written by celebrated composer Lucio Dalla. Sung by Mexican singer Emmanuel, this version was number one on the Latin charts for three weeks in 1984, replacing a different version of the very same song sung by Cuban singer Franco.

It's the summer of 1985 and 12-year-old Kevin González is spending his time playing banquitas, a Colombian form of street soccer. His older brother, Leo, is forever tormenting him, while his best friend, Fede, does his best to intervene.

Los Años Maravillos incorporates genuine archival news footage, giving us a sense of what it was like to live in Colombia in the mid 1980s. In this segment, we see reports regarding the civil conflict involving rebel forces used as a backdrop to the family drama unfolding at the González dinner table.

Unlike Kevin and Fede's previous school, this one is co-ed, arousing some anxiety in them. Fede even confesses about a nightmare in which he arrives at school naked.