It’s a slow night at Amelia’s little casa de tolerancia. Gloria takes off to see her son, Luchi, and Soledad disappears with young Carlos, who has once again arrived with a pocket full of pesos. Amelia finds that she has an itch in her stockings, and an obliging Raymond is beckoned to scratch it (while the great José Luis Perales once again sets the mood).

Poor Bertolt Brecht should have suffered with Majo’s free version of one of his most well known poems “Ahora Me Llevan a Mí.” Her performance not only disturbed the German playwright’s sleep but also wasn’t delivered to the right audience, was it?

Majo’s theatrical aspirations seem to have been crushed by reality. Meanwhile Gloria is trying without success to balance intimacy and family.

A show about four professional women who live in the big city and talk about sex and men all the time? Where on earth did Telefe come up with this idea?

That mujeriego Mariano has really messed with poor Elena’s head. If we were her, we’d dump the scoundrel for Durand, the suave French lawyer, tout suite.

Sometimes if you’re sitting at home, depressed, stewing in a pot of emotional turmoil and angst, really the best thing to do is just go out and shake it! (P.S. If your boss looks like she’s taken the bullet train to Splitsville, we strongly suggest you don’t mention it… especially if you are looking for her to sign off on your French classes!)

The cocktail party effect explains our ability to isolate a solitary voice amidst a sea of yappers, music and crowd noise. Let’s meet our ladies at the disco, where background noise and the effects of actual cocktails upon speech put our own c.p.e. skills to the test. (This one is hard, use the SLOW button!)

Elena is absolutely certain she will not be calling Mariano, her estranged, cheating boyfriend. She professes this fact repeatedly. But when Vero drops by, still tipsy from the club, discussion of lonely reality has its effect. She breaks down and picks up the phone…

Elena claims she only wants to tell Mariano about the bills, but if you believe that we’ve got a bridge in Uruguay we’d like to sell you. Mariano, well, he just doesn’t seem to be able to say the right thing. Hombres.

This short film by Roberto Pérez Toledo (@mividarueda), featuring Marta Fuenar and Jorge Yumar, explores the concept of love at first sight versus feelings that develop gradually.

Fraud, impersonation and seduction are the norm for this Colombian con artist king as he traverses the globe. Can he continue to elude Interpol?

Seduction is an excellent means for gleaning information. Watch as our conman friend plies his craft with a member of the cabin crew. NOTE: THIS SEGMENT DEPICTS A MAN PRETENDING TO BE FRENCH — IN SOME CAPTIONS, CLEARLY MARKED, HE IS USING SHORT PHRASES IN FRENCH. The vast majority of this authentic series produced by Colombian studio Caracol for Spanish speaking audiences, taken as a whole. is in Spanish. The few French words and phrases found in this video will not appear in any Yabla Spanish "Games" or activities, such as Scribe.

Mr. "Bernard" catches up with his old comrade.

Mr. "Bernard" reveals the true motive for his trip to Colombia.

"Mr. Bernard" is on a mission to score the actress, Amalia Durango, at all costs.