The friendly guys from La Gusana Ciega bring us this surrealist tune, full of bright colors, rusty cars, and a beautiful girl being chased by the band members.

People say that you either love or hate Monterrey rock act Panda. But in spite of some criticism, they have shown that their music is set to last, and that they have the passion to make it happen, as we can see in this live performance.

Los Originales de San Juan, a Norteño Quartet based in California, has 25 albums to their name and a long history of hard work and controversy, mostly stemming from two self-released singles which both told stories of drug dealers. One of these singles became a massive hit on Norteño and Tejano radio, leading to a deal with EMI Latin.

At top of the Mexican Rock’s pyramid is Café Tacuba. Since their breakthrough Re (1994), they have reshaped themselves countless times. Rubén Isaac Albarrán Ortega, their lead singer, has a thing for changing his name. He even puts Diddy to shame! Through the years, he has been known as “Juan,” “Pinche Juan,” “Cosme,” “Masiosare,” “Anónimo,” “Nrü,” “Amparo Tonto Medardo In Lak’ech,” “At Medardo ILK,” “G3,” “Gallo Gasss,” “Élfego Buendía,” “Rita Cantalagua,” “Sizu Yantra,” “Ixaya Mazatzin Tleyótl,” “Ixxi Xoo,” and “Cone Cahuitl.” Enough for an identity crisis!

It’s not strange that a heartbroken lover asks for five more minutes. It’s a sad scene, usually with its share of tears and humiliation. Five more minutes, please, a last chance to explain and ask for forgiveness. And that’s the only thing that Mexican diva, Gloria Trevi, is going to concede.

"No Puedo Verte" (I Can’t See You) is a perfect title for a band called La Gusana Ciega (The Blind Worm). But this video is not about visual handicaps; it’s a testament to the painful sight of a long lost love in new caring arms.

Aleks Syntek (born: Raúl Alejandro Escajadillo Peña) assumed a last name short for sin teclados (literally, without keyboards), a handle given by a friend from whom he had asked to borrow a synthesizer (looks like he bought a few since then!). This Mexican artist is well known for producing and writing songs for others as well as releasing his own records.

"No me tientes" (“Don’t tempt me!”) is both a warning and a plea in this song from Yabla favorite, La Gusana Ciega. Despite the lyrics’ drama and the high-speed car chase, we are pleased to report that no one was hurt in the making of this video.

Panda, also known as PXNDX, is a Mexican band located somewhere between punk, indie rock and pop on the musical spectrum. Narcisista por Excelencia was the first single of their 2006 album Amantes Sunt Amentes, “Lovers are crazy”.

In this concert at their natal Guadalajara, Belanova wanted to showcase the local talent. That’s why they invited a local group of musicians for this song, imparting a new sound to one of their best known hits.

These guys are partially obsessed with stardom, or at least with astronomy. Now they’re talking about “el núcleo de Belanova,” the core of their energy.

Pepe Aguilar is an American singer of Mexican descent whose parents were legends in Mexican show biz. At the ripe ol’ age of 5, Pepe made his singing debut at Madison Square Garden, at his father’s side. And while he admits to crying with fear, Pepe must have enjoyed himself: He became a regular member of his dad’s band and then launched a solo career.

Young and beautiful, strong and sensitive, Julieta Venegas reaches more music listeners every day. “El Presente” is one of her most famous songs—here is its “unplugged” version.

Zoé, an experimental pop-rock quintet from Mexico, brings us this surreal video featuring Japanese teenagers. No Me Destruyas casts a sweet, harmless-looking jovencita as a dangerous villain with colmillos afilados.

Belanova, the electropop band from Mexico, sounds like it was influenced by nightclub epiphanies, Japanese anime and sweet lollipops. "Niño", one of the songs off their album Dulce Beat, is a painful goodbye, adios, au revoir, arrivederci—but it’s somehow lightened by the constant use of the word “boy” (niño) to address the unlucky target of the bad news.