Comercio Justo, or “Fair Trade” products are often seen in “socially conscious” retailers like health and “whole” food shops. It presents a novel approach to doing business that takes into account social and environmental factors in its pricing to consumers and directly compensates commodity food producers, like coffee and cocoa farmers. Here proponents explain the philosophy from several different vantage points.

Can an educated public really create a kinder, gentler, consumer society? Do informed buyers make decisions more sensitive to their world? Can you have your cake and eat it too? Some activists think that voracioius consumers need not be subdued, but only that their desires be tweaked, redirected…

Do those who control the wealth in a society also dictate its desires? In this segment we’re able to listen in on the discourse of Spanish intellectuals critical of the modern consumer culture, which they see as something of a Svengali-like oppressor and manipulator of the masses.

Can a consumer-driven market be replaced by an informed system of mutual cooperation by a like-minded populace? Is the market always at odds with the well being of the planet? Is it true that otro mundo es possible? Let’s find out what some experts think…

The founders of the world famous kitesurfing destination, the Adicora Kite Club, explain how it first came to be.

Rabbi Shloime offers us some insight into the origins and significance of the Hanukkah tradition.

This episode guest stars the legendary Nacha Guevara, who plays Melina, a fiery blonde who seems to have something of a history with Flavio, though he still pines for the lovely madame, Amelia.

Goods and services that show up on our urban doorsteps are the ultimate in convenience. Latin Americans love el delivery as much as anyone, maybe even moreso.

The meaning of fascista is self-evident, but Southern Cone countries also use facho. Balas, of course, are “bullets” but in some countries also have the alternately slang meaning of “homosexuals” or “gays.” Balas and Fachos are, evidently, also the names of tv shows in which Majo and Gloria’s young client stars.

What exactly does Soledad care about that fellow’s uncle? And is the former child star really concerned with the girls’ ability to earn a living? Stay tuned…

Gala says she is ill in the guardia of a hospital, but that doesn’t seem to be the case at all. Meanwhile, Majo is intent on interrupting her husband’s enjoyment of a good book.

Cianuro is, as you may have guessed, the Spanish term for “cyanide,” a poison that has long been used to propel dramatic intrigue. In Gabriel García Márquez’ Love in the Time of Cholera, for example, the photographer kills himself with it. Watch closely for the lethal chemistry cameo.

Majo’s daliance with a washed-up actor will soon prove to provide her with a little more drama than she’d bargained for. Gloria senses that his role might not be the hero’s but Majo is oblivious. Meanwhile Gala meets one of those cincuentones (guy in his fifities) that Melina has promised her.

It’s a slow night at Amelia’s little casa de tolerancia. Gloria takes off to see her son, Luchi, and Soledad disappears with young Carlos, who has once again arrived with a pocket full of pesos. Amelia finds that she has an itch in her stockings, and an obliging Raymond is beckoned to scratch it (while the great José Luis Perales once again sets the mood).

Poor Bertolt Brecht should have suffered with Majo’s free version of one of his most well known poems “Ahora Me Llevan a Mí.” Her performance not only disturbed the German playwright’s sleep but also wasn’t delivered to the right audience, was it?