In conversations with Jorge as well as her lover, Marcela grapples with the consequences of having exposed her husband.

The final hearing is approaching, and Jorge Castellanos' cutthroat lawyer has a plan. And, while Mariana's loved ones feel that she would be the strongest witness to counteract it, they must first convince her to attend.

Having pulled out all the stops throughout the trial, Jorge Castellanos' lawyer makes his final play by calling his client's wife to the stand.

Following his wife, it's Jorge Castellanos' turn to respond to his lawyer's questions on the stand.

Following rather compelling testimony from Jorge Castellanos, it's Mariana's turn to take the stand. Will her testimony sway the jurors?

When the judge pronounces his sentence, the reactions in the courtroom could not be more dramatic.

The case of Jorge Castellanos comes to a close with changes in Colombian law and new relationships between the people affected by the tragedy.

Marta takes us to one of Madrid's most emblematic buildings: the Royal Palace. Although no one lives there today as they did in the past, its impressive exterior and interior are open to the public.

Joan Planas’ documentary, Con ánimo de lucro (With Intent to Profit), launches with a list of the UN’s objectives for development in the new millennium. While the UN plan calls for cutting poverty in half by 2015, it’s off to a terrible start. So we’re off to explore what’s gone wrong in Nicaragua, one of the countries with the most NGOs and the highest levels of poverty in Latin America. 

Continuing their trip through Nicaragua, Planas’ film crew stops in San Nicolás and discusses the lack of potable water. A group of Spaniards have offered to remedy the situation. Why does the problem still exist? Could the elected officials actually be standing in the way of progress?

Trying to figure out why he wouldn’t approve the water project, the filmmakers try to track down the mayor, but they can’t find him at home. They do find children with containers making the trek to the water source from home and back.

The film crew met with a team from Ayuda en Acción, and it appears that its organizational heart is in the right place. Yet, despite the presence of over five hundred NGOs working to improve the lot of Nicaragua’s poor, their plight worsens every year. Many local activists and intellectuals do not trust the non-profits, and accuse them of having their own enrichment as concern numero uno.

Spain has never been a country afraid of divisive politics, and filmmaker Joan Planas has no fear of getting controversial when presenting his views of society, church and state. Note that the older gentleman is not speaking straight Spanish but Catalan, and the Spanish captions reflect not his exact words but are the same as the Spanish subtitles seen in white on the screen.

Not only does our filmmaker continue with his diatribe against the state of society as he finds it in Nicaragua, but the story takes an investigative turn. We find that not only doesn’t sponsored-child Christina del Carmen match the photo that had been supplied by Ayuda en Acción, she is also not yet enrolled in a school.

Joan Planas continues to pull no punches, taking on NGOs, television, and the Catholic church. Oddly enough, despite his firebrand rhetoric, the film ends on a rather conservative note, suggesting that perhaps what poor nations need is not so much charity but rather a change in actitude, or “attitude,” so as to reflect the mindset of people in successful nations. Tune in to find out the details.