This segment recreates the riot of February 26, 1971, in Cali, Colombia, a date that the city will never forget. In addition to these events, María and Susana's relationship is experiencing its own trauma.

As the arrival of Susana's TV at her home stirs things up in the neighborhood, Pedro and Eddy's enthusiasm is quelled by some unexpected news on the radio.

Riots, death, a curfew, a missing person, and business failures are the topics at hand in this new segment of La Sucursal del Cielo.

As Samuel and Don Pepe search for Soledad in the midst of a precarious situation, Soledad can't stop thinking about her friends' fates.

Even when given the opportunity, Soledad is unwilling to go home without first finding out what has happened to her friend Guillermito.

Soledad's devastation upon her arrival at home may have serious consequences for her relationship with Samuel. Meanwhile, Pedro and Eddy have come to the conclusion that they are truly unlucky.

Susana has a problem that needs resolving and ironically seeks help from the person who has always been there for her. In the end, the long-awaited boxing match brings together all of the neighbors around the only working TV.

In spite of their differences, Mariela and Samuel finally manage to have a cordial conversation while Soledad continues to feel utterly devastated over her double loss.

Sub30 continues with Jimmy, who tells us about some of the challenges and rewards of being a single parent.

In this episode of Sub30, a young Colombian woman reflects upon the extent to which her father's teachings have affected her beliefs and actions and continue to do so, even after his passing.

Sub30 introduces us to a clinical psychologist who specializes in transgenerational therapy, which emphasizes the extent to which people subconsciously reenact their family members' behavioral patterns.

The feisty Sevillian María La Mala Rodriquez talks about her career as a Spanish hip-hop artist. True to her “southern” roots, she often drops her “s” sounds, the way Carolina mentions in her clip on the various accents of Spain.

VIEWER DISCRETION ADVISED. For all you semiotics majors, Maria “La Mala” Rodriguez explores the intersection of sex, commerce, technology, gender and competition in "Jugadores, Jugadoras" (Male Players, Female Players).

This love song tells the story of a lost opportunity and a new adventure, all in the same night.

The people of the Chapare region are harassed by military coca-eradication patrols that not only destroy their crops of coca but also frequently injure, insult, and even commit atrocities. But the will of the people and the culture fight on.