Amelia and the girls at first don’t know what to make of him, a small man who arrives with a big wad of money. Soon enough it becomes apparent, Santiago Ritchie is intent on having more than a little fun. (But could that be the only reason for his largesse?)

As a young student, Pablo was smart enough to use his charm and good lucks to get the girls to do his work for him. But when it came to opportunities to perform, this he did himself whenever he got the chance.

Pablo’s sister, Roxa, came on the scene when he was seven. Like millions of little children before him, faced with the arrival of a rival, he was none too pleased. Today they are inseparable.

Echarri and his sister grew up without excess wealth, and even a hint of poverty, but they were happy. Circumstances only served to pull the family together and make them stronger.

Pablo Echarri, Argentine heartthrob and television star, describes his earliest years in Buenos Aires. Also we hear from Pablo’s father about his experiences as a new parent for the very first time.

Jose (Josie) and Manuel (Mani) are great friends, and hang out together all the time. When Mani starts to go out with Clara, he’s got more than just friendship in mind, and Jose’s jealousy is getting the best of her.

We all know that little boys always pull the pigtails of the girls they like, and likewise little girls like to punch and annoy the boys they like, but do big kids also play rough with their secret crushes? If so, Mauro might be right in thinking that Violeta will be his some day… or maybe she really does despise him? At least she didn’t let go! Watch and find out what we mean…

The opening theme song of Verano Eterno, a show that follows a group of friends in a lakeside community, is filled with poetic phrases and metaphors. Enjoy this clip while today explodes.

Sole likes her candy, but she’s not averse to sharing it. In Spanish, a lollipop is known as chupa-chups, piruleta or paleta. Do you have a favorite flavor?

You may get the feeling that Soledad didn’t have the most stable childhood, but she’s a survivor, and she assures her aging uncle that she’ll stick by him too. Gloria, meanwhile, is telling her young son, who hasn’t yet started school, how academic grading works.

Gala shops for a new camcorder from the point of view of the display model, leading us into the show’s intro and theme song, "Me Llamas", by José Luis Perales. Perales got his first record deal as a student in Sevilla in 1970, and his romantic ballads have graced the charts ever since.

This episode guest stars the legendary Nacha Guevara, who plays Melina, a fiery blonde who seems to have something of a history with Flavio, though he still pines for the lovely madame, Amelia.

Tío, there is something creepy going on upstairs in that big house! Anyway, the real action is at the dance hall, and that’s where we find our truant heroine, Milagros, and her willing accomplice, Gloria.

Federico’s secretary invites him over for dinner, but there will be no berries and cream if she can’t be the master chef. Meanwhile… our delinquent little minas have escaped the confines of the convent orphanage.

Mother Superior thinks she’s tucked them both safely in for the night, but Milagros and Gloria have other ideas, and they don’t involve preparing for mass the next morning at seven a.m. Can they possibly get away with it?