Carolina gives us an introduction to the passive voice in Spanish.

Carolina teaches us how to transform sentences from the active to the passive voice in Spanish with several accessible examples.

Carolina explains in greater detail how the passive voice is expressed in different verb tenses.

Carolina explains how the press and social media often use an abbreviated form of the passive voice to save space as well as how the pronoun "se" can be used to formulate sentences in the passive voice that emphasize what is sold or offered as opposed to the person selling or offering the service or merchandise.

Carolina introduces us to the concept of possessive adjectives and gives us some examples of their long and short forms.

Carolina explains the importance of agreement with possessive adjectives, which must always agree both in number and in person with the nouns they modify.

A group of Chilean girlfriends tell us about their experiences traveling abroad in Italy and plans to visit other European countries.

Landa Henriquez is a mother of three, Business Sciences graduate, entrepreneur, songwriter and singer. She’s also owner of a cute red descapotable and leader of the band. Not bad for a woman of 40.

We have the debut music video from La Vida Bohème -- an Indy, punkish Venezuelan band with a bit of French in its name. Playing on roof tops in Caracas, the band delivers a subversive song in just a few words. And then they are kidnapped. "Viva la résistance," says the writing on the wall (also dropping in a bit of French). This is one band worth following.

The owner of "Huesos" [Bones] the dog takes him to meet a new veterinarian and find out about his general health.

Uruguayan rock band, La Vela Puerca's intriguing single, "Se le va," is from their 2011 album, Piel y hueso.

Listen to Uruguayan rock band La Vela Puerca's single, "De atar," from their 2004 album, A Contraluz.

The famous Colombian series, "La sucursal del cielo" [Heaven's Subsidiary], focuses on such topics as the customs and traditions, forbidden love and race relations of three families living in the same neighborhood in Cali in 1971. The introduction features the popular salsa, "Agúzate" by Richie Ray and Bobby Cruz.

The closeness of two families from the same Colombian neighborhood, the Belalcazars and the Lizcanos, goes far beyond the proximity of their residences.

At a New Year's gathering for the two families, different dynamics become apparent between different couples.