Unlike Kevin and Fede's previous school, this one is co-ed, arousing some anxiety in them. Fede even confesses about a nightmare in which he arrives at school naked.

Los Años Maravillos incorporates genuine archival news footage, giving us a sense of what it was like to live in Colombia in the mid 1980s. In this segment, we see reports regarding the civil conflict involving rebel forces used as a backdrop to the family drama unfolding at the González dinner table.

It's the summer of 1985 and 12-year-old Kevin González is spending his time playing banquitas, a Colombian form of street soccer. His older brother, Leo, is forever tormenting him, while his best friend, Fede, does his best to intervene.

"Toda la vida" ("All My Life") is the theme song which opens the Colombian version of the American hit series The Wonder Years. The song is a cover of a hit Italian song,"Tutta La Vita", written by celebrated composer Lucio Dalla. Sung by Mexican singer Emmanuel, this version was number one on the Latin charts for three weeks in 1984, replacing a different version of the very same song sung by Cuban singer Franco.

Cata y Cleer teach us how to make typical Colombian arepas with shredded beef.

Catalina Garcia, lead singer of the Colombian music group, "Monsieur Periné," talks a bit about the group's origins and influences.

Inés Alomia speaks to us about the role gastronomy has historically played to bring people together in her native Colombia.

Colombian painter, Beatriz Noguera, tells us a bit about her work and its cultural and mythological inspirations.

In this segment of Región mundo, dancers from Swing Latino, one of Colombia's most prestigious salsa dance schools, talk about some potential injuries that can occur and the importance of continuing a performance despite them. They also offer insight into the increasing trend of men dancing together.

The second part of a tutorial on how make "aborrajados," or ripe plantain fritters, a scrumptious Colombian dish.

As we reach the finals stage of the Mono Núñez festival in Colombia, our host attempts to create a "Latin American integration" as well as continuing to explore the individual journeys of the participating groups.

This segment explores the extent to which the musicians at the Mono Núñez festival combine formal training with natural instinct to make their traditional Colombian music.

Learn how to make "aborrajados," or ripe plantain fritters, a scrumptious Colombian dish.

Do the rules and restrictions associated with entering a contest like the Mono Núñez affect the musicians' artistic freedom? In this segment, our host and musicians examine that question.

This final episode in the series concludes the story of the boy who, following his mother's death, goes in search of his long lost father.