In this concert at their natal Guadalajara, Belanova wanted to showcase the local talent. That’s why they invited a local group of musicians for this song, imparting a new sound to one of their best known hits.

The kings of Alternative Reggeaton, Calle 13, are well known for their smart, fast and funny lyrics; they disrespect anybody and everybody. That’s why "Un beso de desayuno" is a surprise: for the first time we are tempted to leave off the viewer discretion sign in a Calle 13 video!

Pepe Aguilar is an American singer of Mexican descent whose parents were legends in Mexican show biz. At the ripe ol’ age of 5, Pepe made his singing debut at Madison Square Garden, at his father’s side. And while he admits to crying with fear, Pepe must have enjoyed himself: He became a regular member of his dad’s band and then launched a solo career.

La Mala Rodriguez, a Spanish rapper has built a career out of playing the outsider in the male world of rap music, earning plenty of attention for her strong femininity and socially argumentative lyrics. Her Hip Hop is greatly influenced by flamenco music.

Born in Bogotá, Colombia, Fonseca is known for his letras pegajosas (sticky lyrical hooks) and happy rhythms. Fonseca became a sensation after attending Berklee School of Music in Boston—a move that he claims gave him the ability to stand out among his musical peers.

Chambao introduce themselves in this way: The sound of waves, smooth sand, friends and music, a “chambao” is not just a fleeting space set up on the seashore with rugs and cushions, lit up by a bonfire; it is also a place where the simple joy of being alive is the important matter.

Franco de Vita, born in Venezuela to Italian immigrants, is probably Venezuela’s most popular musical export; he’s considered Latin music’s most consistently popular singer-songwriter. At 53 he has 25 years in the limelight to prove it. Mil y Una Historias En Vivo is his newest album.

Zoé, an experimental pop-rock quintet from Mexico, brings us this surreal video featuring Japanese teenagers. No Me Destruyas casts a sweet, harmless-looking jovencita as a dangerous villain with colmillos afilados.

Puerto Rican half-brothers Residente (René Pérez Joglar) and Visitante (Eduardo José Cabra Martínez)—nicknamed for their respective roles in their weekly step-family visits to 13th Street—together make Calle 13. The music of Calle 13 is a sort of hip-hop/reggaeton with a sense of humor and playfulness. Watch out for the bleeped naughty words.

Always with a light touch, often with full force, Bersuit Vergarabat dishes out social commentary and political activism. "Madre Hay una Sola" is no exception, as Gustavo Cordera apologizes to Mother Nature for the damage done to her by the human race.

Belanova, the electropop band from Mexico, sounds like it was influenced by nightclub epiphanies, Japanese anime and sweet lollipops. "Niño", one of the songs off their album Dulce Beat, is a painful goodbye, adios, au revoir, arrivederci—but it’s somehow lightened by the constant use of the word “boy” (niño) to address the unlucky target of the bad news.

Moenia may be considered one of the first modern, successful, experimental Mexican groups, finding commercial viability in a market normally dominated by old-style Latin crooners, Ranchera and Cumbia. Heavily influenced by ‘80s bands like Depeche Mode and The Cure, Moenia surged in ‘92 but fell out of public favor in the mid ‘90s when a key member quit. More recently, the reunited band has won over new fans with songs infused with ‘80s-style electronica.

Abraham Quintanilla, III (also known as the brother of late Tejano singer Selena) was one of the founding members of Los Kumbia Kings, a band he broke away from in early 2006 to form the Kumbia All-Starz, garnering many hits including "Speedy Gonzalez". The Kumbia All-Starz are from Texas.

When one of their friends suggested that the band’s name should be Belafunk, just half of a bell rang for them. They wanted something more cosmic, stellar, and looking in the closest encyclopedia they ran into the word Nova. That’s how Belanova — a beautiful star — got its name.

We associate Cuban Music with powerful drums, breathtaking mujeres and a bunch of smiles flying across the dance floor. But every coin has two sides and Gardi, one of the newest voices of Cuban Pop, bring us this sad, soft and smoky song that’s ready to move our feelings instead of our bodies.