After a tense exchange in a factory's cafeteria, some workers get excited about the impending announcement of this week's lottery winner.

Carlos offers us some commentary about the challenging series La Sucursal del Cielo, focusing in this first part on some aspects of the city in which it is set.

Let's discover this urban legend about a young woman from the nineteenth century whose life came to a tragic end.

As Fernando feels frustrated by his inability to get his work done, Pilar finds herself in an uncomfortable situation. Meanwhile, Samuel begins to suspect that something's not right with Soledad.

While Fernando's day does not start out as expected, Mariela begins to get excited about the prospect of being the best salsa dancer in Cali.

While Pedro and Eddy continue to cook up big plans with Mister Charly, Soledad and her college pal find themselves in the midst of chaos.

During a tough moment for Mariela, Don Ananías and Samuel have a chance to exchange a few words. Meanwhile, Eddy and Pedro have an encounter with one of those people who would change the face of the city, and their lives, forever.

Let's learn more about the Hayni project, which provides a space where young boys and girls can learn and play, all while developing their self-esteem and autonomy.

Let's learn some pertinent Spanish vocabulary for celebrating a festive spring holiday: Easter!

As Soledad commits herself to a new cause, Fernando arrives in the neighborhood with a surprise that causes a stir among his neighbors, as well as his wife.

As Mariela attends a ballet audition, Pepe and Checho's wives pressure them to go have a word with their new neighbors.

Now, Carlos' Uncle Fredy will show us how to make an "año viejo" doll from old, no-longer-used clothing, which will ultimately be burned as part of a Colombian tradition that represents "out with the old, in with the new."

As Pedro and Eddy try to find the support they need to make their dreams come true, Fernando and Fabiola contemplate the possibility of fulfilling one of their own with a new investment.

Carlos and his Uncle Fredy talk to us about the tradition of the "año viejo" in Colombia. Literally meaning "old year" (and also the name for the "New Year's Eve" holiday), an "año viejo" is symbolic doll that can represent a multitude of themes and especially the leaving behind of the sorrows, failures, and suffering of the year that is ending in order to kick off a better New Year.

Bread of the Dead is a traditional bread that is made in Mexico for the Day of the Dead. Let's learn more about it as well as Luis Alfaro's experience aboard a boat, where a workshop was given to learn how to make it.