Now, Carlos' Uncle Fredy will show us how to make an "año viejo" doll from old, no-longer-used clothing, which will ultimately be burned as part of a Colombian tradition that represents "out with the old, in with the new."

As Pedro and Eddy try to find the support they need to make their dreams come true, Fernando and Fabiola contemplate the possibility of fulfilling one of their own with a new investment.

Carlos and his Uncle Fredy talk to us about the tradition of the "año viejo" in Colombia. Literally meaning "old year" (and also the name for the "New Year's Eve" holiday), an "año viejo" is symbolic doll that can represent a multitude of themes and especially the leaving behind of the sorrows, failures, and suffering of the year that is ending in order to kick off a better New Year.

Bread of the Dead is a traditional bread that is made in Mexico for the Day of the Dead. Let's learn more about it as well as Luis Alfaro's experience aboard a boat, where a workshop was given to learn how to make it.

As the new neighbors settle into their new home, the inhabitants of the neighborhood begin to interact with them, each in their own way.

As new information comes to light about Pedro and Eddy, the arrival of the new neighbors brings curiosity, and a new dynamic, to the block.

Don Pepe gets caught between a rock and a hard place. What will he do? Meanwhile, Pedro's first night at the radio station does not go exactly as planned.

The case of Jorge Castellanos comes to a close with changes in Colombian law and new relationships between the people affected by the tragedy.

As the hot pants debate continues in the neighborhood, Pedro has to go to extremes to secure his first client as a music manager.

When the judge pronounces his sentence, the reactions in the courtroom could not be more dramatic.

Upon her arrival home, Soledad is still feeling the effects of the birthday cake she consumed at the party, leaving her family baffled by her strange behavior.

Following rather compelling testimony from Jorge Castellanos, it's Mariana's turn to take the stand. Will her testimony sway the jurors?

As Pilar tries unsuccessfully to convince her father regarding the pictures she wants to have taken, Soledad finally manages to let her guard down a bit with her new friend.

Following his wife, it's Jorge Castellanos' turn to respond to his lawyer's questions on the stand.

Pilar is determined to do whatever she wants, even if it goes against her mother's wishes. Meanwhile, Samuel and Soledad each seem to have met someone who challenges them... and may change the course of their lives.