In the process of recounting to their grandpa their adventures while looking for Guillermina's lost kite, Guillermina and Candelario learn all about volcanoes and islands.

Carlos explains the different roles myths have played historically and tells us the Muisca myth of Bachué, which explains the origin of Man.

Guillermina and Candelario tell their grandpa about their cake-making adventures and what they learned about coconut in the process.

Carlos enlightens us regarding some typical Colombian slang that shows up in part three of the first episode of "Confidencial."

Monica seeks her friend, Luis', advice about whether or not she is ready to write a book on spirituality.

Guillermina and Candelario tell their grandfather about their flight above the sea aboard a unique balloon.

Karen guides on a stroll along the Santa Lucia riverwalk in Monterrey, Mexico, where you can admire several sculptures including one by the famous Colombian artist, Fernando Botero.

Referring to the third part of the first episode of the Colombian version of The Wonder Years, Carlos edifies us regarding Colombia's dietary traditions as well as some historical conflicts.

Guillermina and Candelario tell their grandfather how, aboard a submarine, they managed to recover Candelario's lost boat.

Guillermina and Candelario tell their grandfather about their strange encounter with pelicans one day while racing their paper boats.

Sofy and Caro meet to spend the afternoon together in a restaurant. Now, they must decide what to order for their appetizer, main course and dessert

Carlos enlightens us about several words and expressions that come up in the series, "Confidential: The King of Cons," some of which are quite particular to Colombian Spanish.

The Tsáchila community has undertaken the task of opening its doors to foreign visitors, giving them the opportunity to learn more about their traditions and culture.

Meli teaches us how to make fun dinosaur jars and note holders.

Within the second part of the first episode of the Colombian version of The Wonder Years, Carlos points out several examples of a manner of speaking that is very typical to Bogota.