Guillermina and Candelario enjoy an action-packed day at the amusement park with their grandpa.

Guillermina and Candelario tell their grandpa about an exciting adventure that they had one day on the beach including a television and a mischievous stingray.

Guillermina and Candelario go to the beach... to watch television! But, can they agree on what to watch?

Although the World of Lost Toys seems magical at first, Guillermina and Candelario soon realize its shortcomings and plot their escape from it and from the Vine, who looks after the toys there. But, can they find another, happier solution?

When Candelario loses his bike, he and Guillermina's discovery of a secret passage leads them not only to it, but also to a magical new World of Lost Toys.

When the events following their initial shock lead to friendship with an eel they encounter in the river, Guillermina and Candelario learn not to judge a book by its cover.

Guillermina and Candelario enjoy the afternoon sailing on a boat. Grandpa talks about the importance of learning to laugh at yourself. Guillermina will soon have the chance to prove that she can follow her wise grandpa's advice.

Melany is an actress from Guatemala. In this video she shares with us her passion for acting, and for a specific acting method she learned that has "changed her life."

Sunny Miami is not only a touristic destination. Their beautiful beaches and their elegant buildings are the perfect set for the newest Latin American telenovelas.

There’s more to Miami than postcard-perfect beaches and pink drinks. These days, the city is a great melting pot – especially for Latin American and other Spanish-speaking folks – and there’s a thriving arts scene. As Antonio sees it, the annual art fair called Art Basel is the place to appreciate Miami’s great international flavor.

Antonio Vargas is a versatile Mexican artist living in Los Cabos. He has done cartoons, commercial drawings, paintings and a lot of sculptures. In this episode Antonio is going to show us some of his cartoons containing the adventures of Surfo.

Juan paints outlines on his tiles using a paintbrush and manganese oxide, but at one time practitioners did this by laying down fine strings dipped in wax, and this explains why Juan still calls the technique he uses cuerda seca, or “dry cord.” Note that he describes the technique as one of alto relieve, or “high relief,” which is the opposite of bas-relief (low relief).

In Guatemala, people of Mayan descent not only retain various native forms of dress, but they also speak dialects of the Mayan language, a language many people wrongly presume to be long lost to history. Rafael treats us to some examples of words and phrases in this language, and also explains some of the particulars of traditional dress.

Our friend, Rafael, returns this week to talk to us about his homeland and its culture. As he explains, the Mayan culture continues to thrive in Guatemala via its language, clothing, and customs.