When we ask for two, we’re happy to get any, but Melina is a lady not used to being short-changed, abril bello or no…

Gloria and Majo are still on the same job but inhabit different planets. Meanwhile Melina connives to plant seeds of desertion in Gala’s unsuspecting head…

Who is this woman that Marciano Cantero met in Denver one winter evening? (Madonna?) It may have been a temporary affair, but the song it inspired has endured, proving to be one of the Enanitos Verdes’ biggest crowd pleasers, as you can see from this concert footage.

The Puerto Rican rockers Circo never do explain what the accidente was exactly, but it doesn’t make this music video any less entertaining to hear. Lead singer Fofé (aka José Luis Abreu, formerly of El Manjar de los Dioses) sounds at times like a latin Robert Smith of the Cure. But maybe it’s the other way around, since Smith is said to be a fan....

An apostador is anyone who makes a wager. Control Machete’s "El Apostador" comes off their album Uno, Dos. This exquisitely animated video backs up the song’s tale of have and have not. It must be your lucky day, because we’re betting that you are going to learn something!

Enanitos Verdes’ album En Vivo was recorded live in Tijuana, Mexico and Phoenix, Arizona (USA). The song "Tu Carcel" was written and first performed by Marco Antonio Solís, so it’s a real crowd pleaser with the Mexican and Mexican-American audiences.

People often say that Símon Bolívar, aka El Libertador, is to the people of Venezuela what George Washington is to the people of the United States. This is not entirely inaccurate, but this 19th century general and native son of Caracas retains a rock star / savior status that might equally be compared with Bob Marley’s place in the hearts of Jamaicans (and tender souled frat boys).

The talented Yasmil Maruffo has composed for, written for, and backed musicians ranging from Phil Collins to Ricky Martin. Yasmil wrote the music for Rumba en mi Corazón, and he co-wrote the lyrics with Servando Primera. Servando and his brother Florentin made it a hit. Here we catch a rare glimpse of Yasmil performing for a small group of friends.

Federico Kauffman Doig began his career at the Museo Rafael Larco Herrera as a security guard. Today he is president of that institution and one of the world’s most respected archeologists, as well as a delightful and engaging speaker! This program originally appeared on Televisión Nacional del Perú as part of the esteemed artistic series, Presencia Cultural.

Federico was something of a wanderer in his early days, and describes himself as having been a “pre-hippy.” His father, intent that his son be something other than a vagabundo, probed Federico for any hint of passion, any calling. “It’s called archeology!” he yelled upon hearing that the young man enjoyed exploring ancient ruins.

If you are not yet a fan of Señor Doig, you don’t have a pulse! His jungle expeditions have led to the discovery of everything from the anatomically-blessed Pinchudos statues to the giant upright mummies found in a site known as Carajía. We’re ready for an expedition!

Federico Kauffman Doig has received the highest title the Peruvian government gives in honor of cultural achievment, Amauta. Sweden and Austria have also bestowed him with awards and titles. So is he ready to join the ranks of jubilados? No way! He still explores cliffs 4000 meters high and has far too many unfinished essays to even consider it for un momentito.

That literacy will directly contribute to the health and well being of a people few can doubt. But are a literate people more likely to care for the environment? One man thinks so, and has started a grassroots neighbors teaching neighbors project for the good of both la gente y la tierra.

Does graphic and violence-ridden television news that presents the worst aspects of a society also bring out the worst in its audience? Our filmmaker seems to think so, and believes that it is young viewers who pay the price when spectacle trumps thoughtful analysis and measured presentation.

Does broadcast media really have a responsiblity to promote and defend human rights? Or is it to simply make shows that people like and that attract ratings? Several Nicaraguan journalists and media producers discuss these ideas in a round table discussion.