Felipe begins to recount on the radio the story of his neighbor, Tobias, who had a strange and mysterious air about him and who all of the neighborhood avoided and feared.

Artist Leonardo Rodriguez Sirtori talks about how his mixed heritage helped shape his identity early on as well as how he gravitated towards African music, culture and individuals as a young artist living in Portugal.

As Luis continues to spout his political beliefs, the situation grows increasingly tense at the dinner table.

As the con man concocts yet another scheme to try to get Agent Suarez off his trail, Agent Suarez fights to stay on the case and puts in a good word for Agent Hurtado.

As Kevin learns more about his sister's boyfriend, Luis, his opinion about him is no longer so cut and dry.

Carlos and Cyndy help to shed some light on some colloquial phrases from the Argentinean soap opera, Muñeca Brava.

As the con man easily secures a new apartment, Agent Suarez fights to save his relationship with his partner in work and life.

In spite of being allowed to watch the Tour de France in class by his wildly enthusiastic teacher, Kevin struggles to focus on anything beyond his latest crush.

Kevin's encounter with his crush, Lisa Bernal, does not go exactly as planned.

Despite having been inspired by a multitude of diverse subjects throughout his artistic career, Leonardo Rodriguez Sirtori's gallery owner asks him to compile an exhibition focusing on his dark-skinned portraits.

Come visit Bogota's beautiful landmarks, from the City Hall to the Montserrate Cathedral, guided by friendly Colombian tourists who will share the history of these emblematic buildings.

Agent Suarez receives a surprise phone call.

Kevin is determined to find out whether Lisa Bernal reciprocates his affections.

Colombian music group Monsieur Periné's 2018 hit, "Bailar Contigo," was nominated for Latin Grammy awards in both the Best Song and Best Record categories.

Carlos explains to us the range of meanings that the verb "tocar" can have in Spanish, depending upon the context.