In this episode of Muñeca Brava, we strongly recommend that you don’t trust anyone. Milena pays a visit to Luisa ignoring the weird doctor-patient relationship that they had. Then Martita tries to snitch on Milagros, ignoring the fact that she also has her own share of dirty laundry. And there’re so many love triangles that it’s starting to look like a geometry class.

What’s that strange man doing in Milagros’ room? And is that obviously fake beard part of his disguise or a makeup slip up?

Why is La Virgen de la Soledad so important in Milagro’s past? Finally it’s the moment to tackle our protagonist’s mysterious origins. Meanwhile, is Ivo ready to ask his father some important questions?

Alfredo pays a surprise visit to Luisa who is visibly confused. Is Alfredo her psychologist, her friend or something more? Luisa doesn’t have any idea and the whole situation is driving her crazy. She certainly needs help, but who is she going to call if the problem is the only person she trusts?

Finally, Ivo acts on his threats. He asks his grandmother—the refined Señora Angelica—to fire her maid Milagros. Why? Because Milagros is una cloaca, un desastre and, well, casi salvaje. But Grandma has some of her own ideas cooking…

Through una trampa Cholito catches Ivo in bed with a nun and turns it into una extorsión while confronting him about paying up, or poniendo estaba la gansa, for an apuesta that he lost to a friend.

The stupendous Natalia Oreiro released the fiery single “Me Muero De Amor” even before it became the theme song for Muñeca Brava, in which she also stars. The show was a smash hit not only in Latin America but also in Europe and the Middle East, and as such buoyed worldwide sales of the record.

The house is called “La Soledad”, which might be fitting enough for some of the souls who dwell within it. Grandma hasn’t left her room in years, nor is she on the best of terms with her son, the patriarch of the house. He, in turn, is no longer exactly enamored with his wife, nor sympathetic to her weakness for the bottle. The fun is just beginning…

Federico’s secretary invites him over for dinner, but there will be no berries and cream if she can’t be the master chef. Meanwhile… our delinquent little minas have escaped the confines of the convent orphanage.

Tío, there is something creepy going on upstairs in that big house! Anyway, the real action is at the dance hall, and that’s where we find our truant heroine, Milagros, and her willing accomplice, Gloria.

In the previous segment we found Milagros and Gloria shaking it to un ritmo vallenato from Colombia’s Caribbean coast. Upon her return to the convent, Milagros is singing Ricky Maravilla’s "¿Que tendrá el petiso?" which probably got its inspiration from "Locas por el mambo", a huge 1950 Havana hit from the great Benny Moré.

It seems the brother-in-law is having an affair with the cook’s daughter, who is trying to get him to help her out of her maid’s uniform, and not only during the wee hours of the morning. But it doesn’t seem like el patrón is in the mood to be doing any favors for his wife’s brother, does it now?

As Angelica turns to Ivo to help her find her lost grandson, Mili confronts Gamuza's father, a man who forces him to work, hits him and fails to feed him.

Damian proposes an extremely sketchy business partnership to his new errand boy, Facundo, which entails deceiving his own family.

When Ivo is less than thrilled about his father putting him in charge of the company, Damian is happy to take over. Meanwhile. Milagros learns more about her comrade, Gamuza's, home life.