Sure, Natalia has had it rough. A certifiable worldwide hit with Muñeca Brava, a stud actor boyfriend followed by a superstar musician boyfriend, a rising singing career; she’s the kind of girl many mere mortals would love to hate. But… she’s just impossible to dislike!

Majo’s daliance with a washed-up actor will soon prove to provide her with a little more drama than she’d bargained for. Gloria senses that his role might not be the hero’s but Majo is oblivious. Meanwhile Gala meets one of those cincuentones (guy in his fifities) that Melina has promised her.

Tomás’ parents are leaving him all alone for the weekend, and Juan is quick to come up with a plan. Violeta, meanwhile, is cooking up plans of her own, but they don’t involve Mauro—despite his attempts to woo her back with flowers.

Imagine the shock to Natalia’s parents when they first saw another couple on the TV claiming that she was their child. Unfortunately, such a thing was not, in fact, entirely impossible. A blood test, however, proved the sad couple wrong. Natalia’s starring role in Ricos Y Famosos would soon bring Natalia, and her actual mom and dad, back to the top of the world.

Mauro thought he’d seen the last of Juan when he fired him from the record store, only to find the boy raiding his kitchen fridge! Mauro attempts to throw him out but his mom intervenes. It turns out that Mauro’s sister Teresa has convinced her mother to pay Juan to teach her to play the piano. Mauro is not amused.

Elena is absolutely certain she will not be calling Mariano, her estranged, cheating boyfriend. She professes this fact repeatedly. But when Vero drops by, still tipsy from the club, discussion of lonely reality has its effect. She breaks down and picks up the phone…

When a strange man insists he is Natalia’s true father, she is oddly sympathetic, “we all know about el proceso.” But do we? The “process” is shorthand for the era of military dictatorships that engulfed the Southern Cone in the mid 70’s. During this era, untold numbers of infants of suspected “subversives” were kidnapped, often taken by police or military members to raise as their own.

When something is distasteful, it’s common to hear qué asco (how disgusting) This is precisely what Marley proclaims as Sebastián chooses a particularly fea cockroach to munch on. Sebastián didn’t in fact, tragar, or swallow, the roach, and we think Marley let him off easy!

Enrique Iglesias discusses his record Cosas del Amor, and calls it the best recording he’s made in his career so far. He also discusses tricks for sneaking cheat notes into an exam and flirts shamelessly with the interviewer.

That mujeriego Mariano has really messed with poor Elena’s head. If we were her, we’d dump the scoundrel for Durand, the suave French lawyer, tout suite.

Sometimes if you’re sitting at home, depressed, stewing in a pot of emotional turmoil and angst, really the best thing to do is just go out and shake it! (P.S. If your boss looks like she’s taken the bullet train to Splitsville, we strongly suggest you don’t mention it… especially if you are looking for her to sign off on your French classes!)

This episode guest stars the legendary Nacha Guevara, who plays Melina, a fiery blonde who seems to have something of a history with Flavio, though he still pines for the lovely madame, Amelia.

Goods and services that show up on our urban doorsteps are the ultimate in convenience. Latin Americans love el delivery as much as anyone, maybe even moreso.

The meaning of fascista is self-evident, but Southern Cone countries also use facho. Balas, of course, are “bullets” but in some countries also have the alternately slang meaning of “homosexuals” or “gays.” Balas and Fachos are, evidently, also the names of tv shows in which Majo and Gloria’s young client stars.

What exactly does Soledad care about that fellow’s uncle? And is the former child star really concerned with the girls’ ability to earn a living? Stay tuned…