Difficulty: Adv-Intermediate
Puerto Rico
The song "Digo lo que pienso" (I Say What I Think) is from the 2008 album "Los de Atrás Vienen Conmigo" (The Ones in the Back Come With Me) by the renowned but controversial Puerto Rican alternative hip-hop group, Calle 13. Let's check out the official video for this track.
Difficulty: Adv-Intermediate
Puerto Rico
"Calma" is a song performed by Puerto Rican Artist, Pedro Capó, who also co-wrote it alongside George Noriega and Gabriel Edgar González Pérez. This remixed version with Farruko was released on October 5, 2018.
Difficulty: Adv-Intermediate
Puerto Rico
Luis Fonsi and Daddy Yankee sing their super contagious single, "Despacito" [Slowly]. The song enjoyed tremendous commercial success, managing to hit number one in more than 40 countries as well as being the song with the most YouTube hits.
Difficulty: Adv-Intermediate
Puerto Rico
Always controversial and entertaining, Calle 13 takes us to a very special party.
Difficulty: Adv-Intermediate
Puerto Rico
Another explosive, controversial yet danceable track from Puerto Rico's Calle 13. Nudity, insults flung at the Vatican, almost nothing's off limits for Calle 13.
Difficulty: Adv-Intermediate
Puerto Rico
“No hay nadie como tú” (“There Is No One Like You”), the first single from Calle 13’s third album, features the Mexican group Café Tacuba. Over a blend of pop and reggaeton music, Residente, the lead singer of Calle 13 discovers that no amount of naming can contain or define his amor.
Difficulty: Adv-Intermediate
Puerto Rico
Get ready for Residente’s smart mouth and his tongue twister lyrics with a high level of cynicism. This song was co-produced with Gustavo Santaolalla, mastermind of the electronic tango band Bajofondo.
Difficulty: Adv-Intermediate
Puerto Rico
Calle 13 joins up with Cuba’s Orishas to sing a paean to those pobres who hike pa’l norte (northward) in search of a better life. The first 13 captions are very colloquial and difficult, but after that this video is very clearly annunciated with lots of great vocabulary, so hang in there! This song is thought-provoking and catchy. No one will ever accuse Calle 13 of taking a weak position in rhythm or in politics!
Difficulty: Adv-Intermediate
Panama, Puerto Rico
Meet Rubén Blades, a Salsa superstar. He helped mix Cuban and Caribbean rhythms with Jazz in New York City. Rubén Blades (or, Rubencito here among friends) composed some salsa classics while also excelling as a singer. But that’s not all. Moviegoers may recognize him as one of the victims in Predator 2. He also has a law degree and ran for president of Panama. When this video with Calle 13 was filmed, he was Panama’s Tourism Minister.
Difficulty: Adv-Intermediate
Puerto Rico
Explosive rhythms and politically incorrect lyrics are part of what made Calle 13 an international superstar. This song "Atrévete-te-te" is one of their first hits that made people turn their heads and move their hips all over the dance floor.
Difficulty: Adv-Intermediate
Puerto Rico
Nelly Ocacia and Benjamín Moldonado are both 19-year-old university students, and enjoy dancing with the Ballet Folklórico Guamanique when not studying. We caught up with them at the airport in San Juan, where they were welcoming new arrivals and seeing off departing passengers, much to the delight of travelers.
Difficulty: Adv-Intermediate
Argentina, Puerto Rico
That mujeriego Mariano has really messed with poor Elena’s head. If we were her, we’d dump the scoundrel for Durand, the suave French lawyer, tout suite.
Difficulty: Advanced
Puerto Rico
Music video by Calle 13 performing "Suave" from the band's eponymous debut studio album released in 2005. Criticized for its rather vulgar lyrics, this album is nevertheless a favorite of the band's fans.
Difficulty: Advanced
Puerto Rico
Calle 13's very first music video was shot and edited by the band's talented frontman, Residente, with help from his cousin.
Difficulty: Advanced
Puerto Rico
This Calle 13 video not only features the group’s classic tongue-twisting lyrics but also some surreal touches. The enfants terribles (or, niños terribles) of reggaeton are never afraid of mixing genres—or metaphors.
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