In legendary Puerto Rican salsa singer Héctor Lavoe's 1976 hit, "Periódico de Ayer," Hector compares an ex-flame's love to yesterday's news. This is truly "classic" salsa that is known and loved throughout the Spanish speaking world and beyond — a must for any serious student of latin culture.

Héctor Lavoe was a Puerto Rican salsa group and solo singer who lived from September 30, 1946 to June 29, 1993. Among his solo hits were “El Cantante," "Periódico de ayer" and "Bandolera,” which, despite protests from Puerto Rican feminists about its controversial lyrics, enjoyed great success there.

Listen to late Latin salsa singer, Hector Lavoe's signature single, "Mi Gente," from the album La Voz. The hit was recorded in Africa in 1973 with the Fania All Stars.

Hector Guerra is a Spanish-Bolivian artist known for his unique genre of music known as “electro latino,” which combines influences from hip hop, dancehall, reggae, cumbia, electronic and even Andean music. “What up?” was the first single from his debut album “Amor,” which came out in 2012 and went to number one on the iTunes Mexico chart.

Singers Hanna and Ashley of Ha*Ash were born in Louisiana but are now based in Mexico. When they were 11 and 13, they got their first taste of success at a school talent show. Since then, Ha*Ash have gone far mixing Latin pop with country music. With a gold disc and platinum album in the bag, Ha*Ash are flying close to the stars they used to admire when they were just chicas.

Hanna and Ashley are two young sisters with an already long and successful career. The road from a school talent show to pop stardom is long, but they journeyed surprisingly quickly. On their short journey, however, it seems like they had time to have their hearts broken—at least according to this video!

A passionate cattle ranch owner tells us about the procedure at a Colombian dairy farm, including the entire process of cow milking.

During his interview with Cleer, Guillermo tells her about his interest in Mayan technology as well as his own experience studying the culture of this legendary Mesoamerican civilization.

Guillermo the shaman, an expert in Mayan cosmology, explains the origin of and symbolism behind the Mayan word "chamamán" as well as some other interesting aspects of their belief system.

Guillermo gives us an in-depth explanation of the manner in which Maya ceremonies were used to welcome the seasons, each of which represented a unique consciousness.

Guillermo speaks about how the sound of the drum represents keeping moving rather than staying stagnant in life and how increasing one's sphere of vision and confronting one's emotions can lead to balance and ultimately, happiness.

Guillermina and Candelario enjoy the afternoon sailing on a boat. Grandpa talks about the importance of learning to laugh at yourself. Guillermina will soon have the chance to prove that she can follow her wise grandpa's advice.

When the events following their initial shock lead to friendship with an eel they encounter in the river, Guillermina and Candelario learn not to judge a book by its cover.

When Candelario loses his bike, he and Guillermina's discovery of a secret passage leads them not only to it, but also to a magical new World of Lost Toys.

Although the World of Lost Toys seems magical at first, Guillermina and Candelario soon realize its shortcomings and plot their escape from it and from the Vine, who looks after the toys there. But, can they find another, happier solution?