The hosts move on to the second film directed by Mel Gibson: "Braveheart," which, in spite of the difficulty he had finding producers, went on to win five Oscars.

We continue looking in more detail at some key scenes from the movie "Braveheart" that show Mel Gibson's style of narrating history.

On this occasion, the discussion revolves around the influence that "Braveheart" has had on the way battles are portrayed in other famous movies.

The discussion continues about the movie Braveheart, focused, among other things, on the script and Mel Gibson's religious influence on the film.

On this occasion, we hear comments about another famous Mel Gibson film: The Passion of the Christ.

On this occasion, Rubén and Guillermo discuss other notable aspects of The Passion of the Christ such as its realism and cinematography.

In this part, the guys conclude their comments about The Passion of the Christ before briefly discussing Mel Gibson's project with a comedy series.

We move on to Mel Gibson's next film: Apocalypto. Rubén and Guillermo discuss some key scenes and types of shots that Mel Gibson uses in this film.

Meet four-time world champion windsurfer, Gollito Estredo, in Adicora, Falcon, Venezuela, who tells us about his experiences in his sport throughout the world.

Take a guided tour of a lively boulevard in Adícora, Venezuela, during a vacation period, where the party is just getting started.

This classic Mexican western begins with a boy and his godfather discussing bravery. We all experience fear, but we mustn’t be dominated by it, says the godfather. The boy is just getting over hepatitis, and is eager to accompany the doctor back to town…

The Beltrans and the Landeros are taking over all the land in the area, so a friendly favor is asked: to keep watch over a deed title. Back in town, the young Valente is bullied by two bigger boys; but someday, the young boy swears, he’ll get back at them. Meanwhile, shopping for a wedding dress causes some confusion.

While Mr. Valente reveals to the shapely shopkeeper whom he’s intending to marry, his son is being tormented by bullies.

Why is Mr. Valente having drinks with his son’s bullies? He’s trying to teach them a lesson. But the lesson soon gets lost in the gun fire, with two men down.

With Mr. Valente shot, several souls are left not knowing exactly what to do. The camera cuts back and forth between his son and his fiancee as a heart-wrenching rendition of "Ruega por Nosotros" ("Pray for Us") is sung.