Do the rules and restrictions associated with entering a contest like the Mono Núñez affect the musicians' artistic freedom? In this segment, our host and musicians examine that question.

This final episode in the series concludes the story of the boy who, following his mother's death, goes in search of his long lost father.

Although the World of Lost Toys seems magical at first, Guillermina and Candelario soon realize its shortcomings and plot their escape from it and from the Vine, who looks after the toys there. But, can they find another, happier solution?

Ivo professes his sincere desire to be with Milagros as Federico tries to convince his mother to finally go down for dinner after eighteen years.

As Ivo implores Milagros to have a private conversation with him, Federico's unexpected meeting continues to go his way when his visitor suggests introducing him to a third party.

When Candelario loses his bike, he and Guillermina's discovery of a secret passage leads them not only to it, but also to a magical new World of Lost Toys.

Our behind-the-scenes look at the Colombian Mono Núñez music festival continues with an interview with a group who plays Afro-Colombian music and, has opted to perform but not to enter the festival's contest.

Federico is enamored with his unexpected visitor while Ivo rants and raves about the perils of women in general and Milagros specifically.

An itinerant concert at the Mono Núñez gives people who could not otherwise attend the festival the chance to experience some of its music and festivities.