Amelia and the girls at first don’t know what to make of him, a small man who arrives with a big wad of money. Soon enough it becomes apparent, Santiago Ritchie is intent on having more than a little fun. (But could that be the only reason for his largesse?)

Milena is enjoying some theater from her private box when Santiago Ritchie appears. Milena wants the lowdown on what he found out about Amelia’s girls while visiting. Santiago obliges. Flavio sleeps.

When we ask for two, we’re happy to get any, but Melina is a lady not used to being short-changed, abril bello or no…

Gloria and Majo are still on the same job but inhabit different planets. Meanwhile Melina connives to plant seeds of desertion in Gala’s unsuspecting head…

Doc G take two! We liked Doc G’s presentation so much we asked for a club remix version. Contains words and phrases not found in the first.

David was born and raised in Caracas, but his parents were from Trinidad and Jamaica, so his accent is as much “Calypso” as it is “Salsa”. Find out why people call him “Doctor Guacuco”.

A consejo is “a piece of advice” and the verb aconsejar is “to advise.” Here in the Don Quijote classroom, we take a look at the grammar and language involved when doling out recommendations, suggestions, and the like, in Spanish.

Jesús Baz is the Director of Studies at the Don Quijote spanish school in lovely Salamanca, Spain. A true salmantino, Jesús has a real pride for his city, which is home to some of Europe’s oldest universities and has a very strong intellectual tradition. The school itself, in a beautiful old building that was formerly a convent, also houses a popular student café.

As an artesan, Javier Marin works with a variety of materials, employing many techniques to create his pieces. He has been kind enough to take the time to explain some of these materials and processes. Javier’s father, in the days well before email, used to transmit telegraph messages via morse code in the building adjacent to where his son now works.

Ecological awareness is universal these days, especially among young people. Javier explains his own use of natural and biological materials, a use that does not involve the destruction of any living creatures, but rather the reuse of materials that have been jettisoned by their original animal owners.

The stupendous Natalia Oreiro released the fiery single “Me Muero De Amor” even before it became the theme song for Muñeca Brava, in which she also stars. The show was a smash hit not only in Latin America but also in Europe and the Middle East, and as such buoyed worldwide sales of the record.

The house is called “La Soledad”, which might be fitting enough for some of the souls who dwell within it. Grandma hasn’t left her room in years, nor is she on the best of terms with her son, the patriarch of the house. He, in turn, is no longer exactly enamored with his wife, nor sympathetic to her weakness for the bottle. The fun is just beginning…

Federico’s secretary invites him over for dinner, but there will be no berries and cream if she can’t be the master chef. Meanwhile… our delinquent little minas have escaped the confines of the convent orphanage.

Tío, there is something creepy going on upstairs in that big house! Anyway, the real action is at the dance hall, and that’s where we find our truant heroine, Milagros, and her willing accomplice, Gloria.

In the previous segment we found Milagros and Gloria shaking it to un ritmo vallenato from Colombia’s Caribbean coast. Upon her return to the convent, Milagros is singing Ricky Maravilla’s "¿Que tendrá el petiso?" which probably got its inspiration from "Locas por el mambo", a huge 1950 Havana hit from the great Benny Moré.