Amelia and the girls at first don’t know what to make of him, a small man who arrives with a big wad of money. Soon enough it becomes apparent, Santiago Ritchie is intent on having more than a little fun. (But could that be the only reason for his largesse?)

Milena is enjoying some theater from her private box when Santiago Ritchie appears. Milena wants the lowdown on what he found out about Amelia’s girls while visiting. Santiago obliges. Flavio sleeps.

Muñeca Brava’s Natalia Oreiro came into the world on the 19th of March, 1977, in Montevideo, Uruguay. She showed early signs of being extraordinary, but was also quite a handful for her young parents. Her love of art and showmanship quickly manifested itself, and as a young child she spent hours singing into a tape recorder and along with the radio!!

Though Natalia Oreiro may seem to have it all—talent, beauty, brains, personality and success—she wasn’t born with a silver spoon in her mouth. Her family suffered economically, and moved many times trying to better their situation. This was a bit unsettling for little Natalia, and perhaps contributed to her being a handful for her primary school teachers.

Carolina talks about different accents and styles of speaking Spanish, particularly those found within Spain itself. Carolina is from Andalusia, in the South, and she contrasts her accent and common expressions with those of people from Barcelona and other regions.

In the previous segment we found Milagros and Gloria shaking it to un ritmo vallenato from Colombia’s Caribbean coast. Upon her return to the convent, Milagros is singing Ricky Maravilla’s "¿Que tendrá el petiso?" which probably got its inspiration from "Locas por el mambo", a huge 1950 Havana hit from the great Benny Moré.

Natalia reflects on her first real experiences with acting and modeling. As a young girl she was drawn to the stage, performing in many of her high school’s chorus and theatrical productions. Her mature stage presence and passion for the art soon landed her a number of roles in paid advertisements. She was well on her way to becoming a star.

Natalia was quickly growing up. Like most teens, she was anxious to explore the world. At thirteen she began to go out dancing with her best friend, Rosa. Ivan, the high school hunk, was to become her first love.

Sebastián Estebanez is loved throughout the world for his fine work in telenovelas such as Pasiones Prohibidas and Pensionados. Now Marley, the ubiquitous personality of Argentine television, is daring Sebastián to munch on a delicious cockroach, just as Marley himself did while in China.

Factor Fobia is sponsored by Eco de los Andes bottle glacier water. Marley is up in the Andean region of Tunuyán where it is processed and bottled. The show is also sponsered by Aventura Sur, a very interesting adventure travel magazine you definitely want to visit. Extraordinary photos and great reading practice.

Winning the Xuxa Paquita contest convinced her to move to Buenos Aires. Unfortunately for Natalia, it wasn’t easy to be sixteen and out on her own. She was lonely, and she struggled, but pride and her fierce ambition kept her from quitting.

The showbiz life can be cruel, even when you’re young, talented and beautiful. Though she came from nearby Uruguay, Natalia’s Argentine peers in their native Buenos Aires weren’t afraid to let her know she was a stranger infringing on their turf.

Enrique Iglesias discusses his record Cosas del Amor, and calls it the best recording he’s made in his career so far. He also discusses tricks for sneaking cheat notes into an exam and flirts shamelessly with the interviewer.

Mauro fired Juan from the record store. But why does his sister care? Sergio wants a chance to explain things to his wife Dolores, but why doesn’t she want to hear it? Tune in and let’s try to figure it all out.

Juan and Violeta’s mom overhears them talking, and finds out that Juan has been fired. She doesn’t take the news well. Meanwhile Dolores continues to tell Sofi about the line Sergio has been feeding her.