The young Valente has a chance to heal from his wounds and rest a little for now. His brave saviors, Julia and Luciana, will take good care of him. And now Luciana has the opportunity to discover his true identity.

Maybe one of the most glamorous shoot-out scenes of its time, involving two beautiful women. Both independently come to save our hero, Valente! NOTE: CONTAINS ONLY A SINGLE LINE OF DIALOGUE! (But it's integral to the movie.)

Check Hello Seahorse!, an exciting Mexican band with surrealistic lyrics and dream-like vocals. Who needs to understand the song when it comes from such a sweet voice?

Manuel, soon to be a lawyer, tell us about his dreams, his favorite activities, including singing, and about his career.

Valente is finally ready to leave town. But does he get out in time?

Don Alonso tells us a bit about his tortilla business and how the automatic machines revolutionized the way to prepare tortillas.

Our hero, the "strange but interesting" Valente Jr., wonders if all his dreams of revenge were in vain. Does this town have anything to offer Valente?

We are at Mexico City’s public university talking with Manuel. He tells us about the contrasts that exist within his neighborhood and what he thinks about the relationship between the United States and Mexico.

The bold Valente Jr. kicks in a door or two and finds just who he was looking for. Does he get to avenge the death of his father after all these years?

Manuel is a Mexican economics student. Here he tells us about what he likes most about his major, his future plans, and his pastimes.

Come see what's on the easel of painter Ramón Hernández-Barajas. His new painting features a beautiful gypsy woman dancing barefoot in a full skirt. Look closely at the colors and textures, and hear what the artist himself has to say.

Remember that dance Valente was warned not to attend? Yep, he goes--and repays a debt.

Should government pump money into the economy and generate jobs by financing giant public works projects? In the extremely close Mexican presidential election of 2006 (which he lost), Andrés Manuel López Obrador made it clear that that his answer is a decisive ¡Sí!

Economics is all about the production and consumption of goods and services. Usually, we associate it with numbers and acronyms but in the Universidad Autónoma Metropolitana they see the people behind the data. Crista is one of those students willing to chat about her school and her city.

All the locals want to know: Who is this bold, talented out-of-towner? What does he want? Even without knowing a thing about the young Valente, locals offer their advice and warnings. But does Valente listen?