Ah, family… We love them all, each in their own special way. Ester, a teacher at San Sebastian's Spanish language school, El Aula Azul, tells us what makes cousin Carolina attractive and what makes us love cousin Pedro. These two Spaniards couldn’t be more opposite.

Cassandra is leading a double life… will she take her friend’s advice to play it safe? Others are getting into trouble, too. The gringo seems to have gone off course on the puma hunt, but then his boss, Ramon, goes off course as well. When the police come around asking Ramon questions, will he crack?

Socorro is worried that she’s lost her chance with Ramon forever, but watch her react to Ramon’s juicy news. And is the boss making a pass at one of his employees? What will she say? Meanwhile, falling off the wagon results in a falling out.

Alberto Jiménez put together ten of his latest songs for the album Causalidad, released in 2009 throughout Venezuela. Here, he tells us the story behind the production of it.

Quiero Club is an indie band from Monterrey, Mexico. The name of the group (in Spanish, “I want club”) points to the types of music they combine: rock, pop, and electronic music. From their second album released in 2008, “Minutos de Aire” is a collaboration with Jorge Gonzalez from the Chilean band Los Prisioneros. You don’t want to miss this trippy adventure of a video!

Yago has news for everyone: good news for some, not so good news for others. Ramon shows up at Yago’s house drunk, and finds out something frightening. Meanwhile, Yago finds Morena basking in the spray of a waterfall and tells her some news of the more reassuring kind.

Bajofondo is, according to the group, a “collective of composers, singers and artists.” They started out as the Bajofondo Tango Club with a strong tango influence, but have since broadened their sound. Here they talk about the collective and begin a discussion of their sound.

Camilo Lara is the man behind the Mexican Institute of Sound (when he’s not busy being the president of EMI Music in Mexico). With this project, he intended to create a fusion of traditional elements with electronic music. MIS tunes have been invading TV and advertising lately; see if you recognize the song “Alocatel.”

Manu Chao is French, but he has Spanish roots. He sings in six or seven different languages, from Spanish to English to Arabic, and his music has even more diverse influences. “Clandestino,” the title track from Manu’s first album, deals with the issue of immigration: “I wrote it about the border between Europe and those coming from poorer nations. Look around – maybe thirty percent of the people in this street are clandestino (illegal).”

Mili can’t concentrate during her table manners lesson… she’d rather learn about men. Meanwhile, Pablo seems to have broken out of his self-induced solitude, but is it too soon? Like anyone would, Ivo wants to help his best friend get what he wants… but if that something is Ivo’s sister, will he still be a true blue friend?

Listen to Silvia, a teacher at San Sebastian's Spanish language school, El Aula Azul, tell about her family, which she describes as a normal family: not too big. It’s not that small, either. You might want to take out a pen and map out her family tree!

While people are mourning Victoria and asking for her forgiveness, Lucio hears the test results from his doctor. And after hearing that the French guy could tell all once he gets out of his coma, Ramon goes to his bedside. Back in the jungle, Morena finds out the puma isn’t the only thing to worry about while hiking.

Uruguayan musician Gonzalo Yáñez has been making music from a very young age. After working with different groups, he began his solo career in 2004. In this song, the title track of his latest album, he blends acoustic guitar with synthesized sounds, and the catchiness of the chorus contrasts with the darkness of the narrative lyrics.

People lose hope all the time. But new hopes are born every day: hopes of changing stations in life, of winning over someone’s heart. Ivo and the Doña are both busy inspiring dreams in others.

This classic Mexican western begins with a boy and his godfather discussing bravery. We all experience fear, but we mustn’t be dominated by it, says the godfather. The boy is just getting over hepatitis, and is eager to accompany the doctor back to town…