Gala says she is ill in the guardia of a hospital, but that doesn’t seem to be the case at all. Meanwhile, Majo is intent on interrupting her husband’s enjoyment of a good book.

Cianuro is, as you may have guessed, the Spanish term for “cyanide,” a poison that has long been used to propel dramatic intrigue. In Gabriel García Márquez’ Love in the Time of Cholera, for example, the photographer kills himself with it. Watch closely for the lethal chemistry cameo.

Majo’s daliance with a washed-up actor will soon prove to provide her with a little more drama than she’d bargained for. Gloria senses that his role might not be the hero’s but Majo is oblivious. Meanwhile Gala meets one of those cincuentones (guy in his fifities) that Melina has promised her.

It’s a slow night at Amelia’s little casa de tolerancia. Gloria takes off to see her son, Luchi, and Soledad disappears with young Carlos, who has once again arrived with a pocket full of pesos. Amelia finds that she has an itch in her stockings, and an obliging Raymond is beckoned to scratch it (while the great José Luis Perales once again sets the mood).

Poor Bertolt Brecht should have suffered with Majo’s free version of one of his most well known poems “Ahora Me Llevan a Mí.” Her performance not only disturbed the German playwright’s sleep but also wasn’t delivered to the right audience, was it?

Majo’s theatrical aspirations seem to have been crushed by reality. Meanwhile Gloria is trying without success to balance intimacy and family.

Join us on this refreshing trip to Argentina, where we’re paddling our way thorough the history of Rio de la Plata. Eduardo y Luciana are always ready to share some of their local knowledge of Buenos Aires with us. Come on in—this golden water’s fine!

Join Eduardo and Luicana on their boat again as they tell you about the zona paqueta they are rowing by in the Río de la Plata. This posh area is where some of the children they teach live. Is it the right side of the tracks, or the right bank of the river?

It’s not easy for most kids growing up in the Chaco region: before the morning bell rings, they have already been picking cotton in the fields. Hop on a boat with Eduardo and Luciana and learn about the community service they do for needy rural schools in Argentina.

A Mexican stunt double, whose experience lies primarily in film and TV, visits a theater in hopes of signing up for classes to gain experience in a different genre.

This is one of those tunes that might stick in your head, but don’t worry, it’s a good one! From the album that bears the same name as the song, Amores Lejanos, the prolific Enanitos Verdes sing about the trials of distant love. Go ahead and sing along, no one is watching!

In this fun video that reminds us a bit of Elvis Costello, Enanitos Verdes front man Marciano Cantero contemplates new looks, and a bevy of fine looking ladies give their critique. The band formed in their native Mendoza back in the late 70s, but still cranks out hits to this day.

Who is this woman that Marciano Cantero met in Denver one winter evening? (Madonna?) It may have been a temporary affair, but the song it inspired has endured, proving to be one of the Enanitos Verdes’ biggest crowd pleasers, as you can see from this concert footage.

Enanitos Verdes’ album En Vivo was recorded live in Tijuana, Mexico and Phoenix, Arizona (USA). The song "Tu Carcel" was written and first performed by Marco Antonio Solís, so it’s a real crowd pleaser with the Mexican and Mexican-American audiences.

Let's watch the intriguing music video for "Así Es La Vida" [That's Life], a 2023 duet by Spanish crooner Enrique Iglesias and Argentinian singer María Becerra, which was released as the first single from Iglesias's album Final (Vol. 2), slated to be the final album of his career.