Carlos offers us some commentary about the challenging series La Sucursal del Cielo, focusing in this first part on some aspects of the city in which it is set.

In the second part of this lesson that deals with the Colombian series "Sucursal del Cielo," Carlos focuses on the "voseo," or use of the second person singular pronoun "vos" that is used in lieu of "tú" in certain regions, dealing specifically with the manner in which it is employed in Cali, Colombia, where the show takes place.

In the third part of this lesson, Carlos analyzes several clips from the series La Sucursal del Cielo [Heaven's Subsidiary] to explain how the characters use the"voseo," or informal "you" in certain regions, in their conversations.

In this video, Carlos tells us about the extensive conversational use of the imperative form by the people from Cali as seen in the popular Colombian series "La sucursal del cielo."

This chart topping hit single, "Colgando en Tus Manos," is sung by Venezuelan pop singer-songwriter Carlos Baute and features Spanish singer, Marta Sánchez. It is the first single from his seventh album, De Mi Puño y Letra and is considered both his breakthrough and trademark song as well as being both his and Sánchez's most successful single to date.

Venezuelan pop artist, Carlos Baute's hit single, "Te regalo," is from his self-titled 2006 album “Baute."

We asked Carli Muñoz if he’d play a few bars of his latest compositions, and, luckily for us, he obliged. One of the tunes, “Portrait of Mia,” was written for his brand-new hija, Mia. We’re wondering if he’ll ever address her as mi’ja.

“Rock en español” is what we refer to the relatively new movement of musicians from Spanish speaking countries singing in their native language. Back in the sixties and seventies, these musicians were taken up with rock like much of the rest of the world, but they sang in English. Puerto Rican Carli Muñoz explains while looking back over his career.

Being a rebel is an undeniable part of becoming a rock star, and that’s something that Carli Muñoz couldn’t avoid when he was a kid. He had a head full of music, but little patience for music lessons. Lucky for him, the owner of the instrument store let him pound out his own musical education on the store piano.

Some people say that rock ‘n roll is half attitude and half talent. We already know that Carli had enough disrespect for the rules to make it and in this video he makes it clear that he has enough respect for the music to complete the equation.

Here’s an emotional song to make quinceañeras scribble endlessly in their diaries and polish off entire Kleenex packets. Camila is a Mexican band that’s been touching sensitive teen souls since 2006—yet Mario Domm (the lead singer and brain behind the project) has been around longer than that, producing songs for artists as Alejandra Guzmán and Kalimba.

Camila was founded by award-winning composer and producer Mario Domm one day while he was recording a client’s album. Samo was called in to do back-up, and his voice impressed Mario so much that he thought they should work together. Add in Pablo Hurtado on guitar, and you have Camila. See what it’s all about with this song from their 2010 album. The vocals are a marvel.

Puerto Rican half-brothers Residente (René Pérez Joglar) and Visitante (Eduardo José Cabra Martínez)—nicknamed for their respective roles in their weekly step-family visits to 13th Street—together make Calle 13. The music of Calle 13 is a sort of hip-hop/reggaeton with a sense of humor and playfulness. Watch out for the bleeped naughty words.

The kings of Alternative Reggeaton, Calle 13, are well known for their smart, fast and funny lyrics; they disrespect anybody and everybody. That’s why "Un beso de desayuno" is a surprise: for the first time we are tempted to leave off the viewer discretion sign in a Calle 13 video!

Explosive rhythms and politically incorrect lyrics are part of what made Calle 13 an international superstar. This song "Atrévete-te-te" is one of their first hits that made people turn their heads and move their hips all over the dance floor.