Do the rules and restrictions associated with entering a contest like the Mono Núñez affect the musicians' artistic freedom? In this segment, our host and musicians examine that question.

This final episode in the series concludes the story of the boy who, following his mother's death, goes in search of his long lost father.

Although the World of Lost Toys seems magical at first, Guillermina and Candelario soon realize its shortcomings and plot their escape from it and from the Vine, who looks after the toys there. But, can they find another, happier solution?

Ivo professes his sincere desire to be with Milagros as Federico tries to convince his mother to finally go down for dinner after eighteen years.

As Ivo implores Milagros to have a private conversation with him, Federico's unexpected meeting continues to go his way when his visitor suggests introducing him to a third party.

When Candelario loses his bike, he and Guillermina's discovery of a secret passage leads them not only to it, but also to a magical new World of Lost Toys.

Our behind-the-scenes look at the Colombian Mono Núñez music festival continues with an interview with a group who plays Afro-Colombian music and, has opted to perform but not to enter the festival's contest.

Federico is enamored with his unexpected visitor while Ivo rants and raves about the perils of women in general and Milagros specifically.

An itinerant concert at the Mono Núñez gives people who could not otherwise attend the festival the chance to experience some of its music and festivities.

Yago desperately wants an interview with Aldo Sirenio. But what will it take to convince Morena to help him?

As Luisa continues with her psychotherapy, Milagros bonds with her stalker.

As city life threatens to push Yago over the edge, Roberto Cárdenas threatens Aldo Sirenio.

Listen to Uruguayan rock band La Vela Puerca's single, "De atar," from their 2004 album, A Contraluz.

Our host at the Mono Núñez festival in Colombia continues to interview people who have come to the festival from many countries, expressing his desire to create an integrated musical product: Colombian music with influences from many different countries and cultures.

Luisa is consoled by her psychiatrist as Milagros and Lina embark on their business venture.