Salsa dancing arrived in the city of Cali, Colombia in the sixties. It became deeply ingrained in the city's popular culture and is still danced there today

This segment explores the extent to which the musicians at the Mono Núñez festival combine formal training with natural instinct to make their traditional Colombian music.

Do the rules and restrictions associated with entering a contest like the Mono Núñez affect the musicians' artistic freedom? In this segment, our host and musicians examine that question.

Our behind-the-scenes look at the Colombian Mono Núñez music festival continues with an interview with a group who plays Afro-Colombian music and, has opted to perform but not to enter the festival's contest.

Singing in Nasa Yuwe, their native language, is one way in which Colombia's indigenous Nasa population strives to preserve and make more visible their language, culture and customs.

Festivaliando continues its behind-the-scenes peek at the music, performers and attendees of the famed Mono Núñez Festival in Ginebra, Valle de Cauca, Colombia.

Colombians at the Mono Núñez Festival in Cali talk about their objectives for attending it, among them the importance of preserving traditional Colombian rhythms in a period in which their mainstream popularity is waning.

Members of Spanish pop band La Oreja de Van Gogh, upon exceeding one million friends on Facebook, thank their fans and share a bit of their music.

Native Colombians speak about the importance of taking pride in their traditional music as well as its influences as they look forward to celebrating it at a festival.

Singer Cecilia Villar Eljuri, considered one of the top female guitarists of her time and recognized for her socially-conscious lyrics, was born in Guayaquil, Ecuador, and raised in New York by multicultural parents. In this candid interview, she talks about the ways in which her exposure to different places, cultures and types of music has influenced the evolution of her music.

In the electronic press kit for singer, Eljuri's latest album, Fuerte, she talks about her background and musical influences, her producer, her early music days and the ways in which her current work differs from her past music.

In the fourth and final part of his interview, Colombian musician, Willy, explains what he feels making music requires and how it it enriches his life.

Colombian musician, Willy, continues to explain to us about his creative process as well as what music means to him.

Willy learned to play guitar mostly by himself, but he soon discovered the importance of having people to share his passion with. Then he talks about how New York changed his musical tastes.

William Bonilla is a good friend of ours who invited Yabla to his apartment to share his points of view about his musical career. Here, he talks about his beginnings.