In this episode, the hostess continues to explore the lives of Andalusian farmers in La Campana, a small town in Seville, and wakes up early to accompany them on their way to work harvesting olives.

On the first episode of this several-part series about Andalusian farmers, we begin to explore how these hard-working folks bring typical regional products like olives, avocados and chestnuts "From the Field to the Table."

There is no better way to finish a great concert that with a great song, and David Bisbal has left some surprises for the very end.

David Bisbal knows there can be more to being a star than filling stadiums and getting underwear thrown at him: He is a spokesman for child soldiers. That is to say, he raises awareness and money to try to end the use of minors in wars. In this segment, we see him take this commitment to the stage.

We know how much work David Bisbal, his musicians, and his crew have put into this tour. But hard work doesn’t mean that you can’t have fun. They find ways to keep the laughter going on the stage itself.

Rotten tomatoes are the last thing young David Bisbal needs to worry about: what his loyal audience throws onto the stage is of a much different nature. Beware of those extra large bras!

To those of us not lucky enough to attend a David Bisbal concert, Yabla brings an excellent alternative: a backstage tour by David Bisbal himself. Fans, this is as good as it gets!

It’s show time for David Bisbal! Songs have been chosen, clothes are ready, musicians are on the stage and the lights are low. Get ready for this extensive interview with David Bisbal about all the details of his musical tour!

Life on the road is not necessarily easy: for David Bisbal, being on tour is all about work. These guys are the ones who make the magic happen!

Meet David Bisbal, one of the newest faces of Spanish Pop, willing to take us backstage to the very center of his latest tour: Premonición. A one time only opportunity to peek inside the darkest secrets and brightest moments of his show.

Joan Planas continues to pull no punches, taking on NGOs, television, and the Catholic church. Oddly enough, despite his firebrand rhetoric, the film ends on a rather conservative note, suggesting that perhaps what poor nations need is not so much charity but rather a change in actitude, or “attitude,” so as to reflect the mindset of people in successful nations. Tune in to find out the details.

Not only does our filmmaker continue with his diatribe against the state of society as he finds it in Nicaragua, but the story takes an investigative turn. We find that not only doesn’t sponsored-child Christina del Carmen match the photo that had been supplied by Ayuda en Acción, she is also not yet enrolled in a school.

Spain has never been a country afraid of divisive politics, and filmmaker Joan Planas has no fear of getting controversial when presenting his views of society, church and state. Note that the older gentleman is not speaking straight Spanish but Catalan, and the Spanish captions reflect not his exact words but are the same as the Spanish subtitles seen in white on the screen.

Does broadcast media really have a responsiblity to promote and defend human rights? Or is it to simply make shows that people like and that attract ratings? Several Nicaraguan journalists and media producers discuss these ideas in a round table discussion.

Does graphic and violence-ridden television news that presents the worst aspects of a society also bring out the worst in its audience? Our filmmaker seems to think so, and believes that it is young viewers who pay the price when spectacle trumps thoughtful analysis and measured presentation.