Get ready for Residente’s smart mouth and his tongue twister lyrics with a high level of cynicism. This song was co-produced with Gustavo Santaolalla, mastermind of the electronic tango band Bajofondo.

Calle 13 joins up with Cuba’s Orishas to sing a paean to those pobres who hike pa’l norte (northward) in search of a better life. The first 13 captions are very colloquial and difficult, but after that this video is very clearly annunciated with lots of great vocabulary, so hang in there! This song is thought-provoking and catchy. No one will ever accuse Calle 13 of taking a weak position in rhythm or in politics!

Meet Rubén Blades, a Salsa superstar. He helped mix Cuban and Caribbean rhythms with Jazz in New York City. Rubén Blades (or, Rubencito here among friends) composed some salsa classics while also excelling as a singer. But that’s not all. Moviegoers may recognize him as one of the victims in Predator 2. He also has a law degree and ran for president of Panama. When this video with Calle 13 was filmed, he was Panama’s Tourism Minister.

Lo hecho está hecho means “What’s done is done,” and what’s done is another international hit from the bilingual diva from Barranquilla. The English language version is called “Did It Again,” and what it did was to give Shakira her 10th consecutive top-40 hit in the UK.

The most famous Colombian hips belong to Shakira. In this video we see a lot of the sensual dance and catchy music that have made Shakira’s name known throughout the whole world. Beware the full moon when this lovely she-wolf is on the prowl.

Explosive rhythms and politically incorrect lyrics are part of what made Calle 13 an international superstar. This song "Atrévete-te-te" is one of their first hits that made people turn their heads and move their hips all over the dance floor.

Ever wonder how the music video for A-ha’s “Take On Me” would look if it were directed by Jackson Pollock? This video, from the Mexican group Motel, brings you the answer.

Even if Orishas left Cuba looking for new fortunes, they never forgot where they came from. In Nací Orishas, they’re singing to the same streets where they grew up.

Orishas is the most famous Cuban band of recent years. They have achieved fame and glory all over Europe and Latin America. Even those who don’t understand their lyrics (sometimes hard enough even for Spanish speakers) can’t seem to keep their hips and shoulders still.

19 year old Kat de Luna was born in the Bronx and raised in the Dominican Republic where she received operatic vocal training. Relocating to the States as a pre-teen, she entered and won a Karaoke contest where the legendary Cuban salsero Rey Ruiz gave Kat advice that she carries with her today, “nobody knows you better than you do, and no one can help you if you can’t help yourself.”

This Argentine hip hop artist reminds us of the artist formerly known as the artist formerly known as Prince. Dante has been recording since he was 14, as part of the very successful duo known as Illya Kuryaki and the Valderramas.

VIEWER DISCRETION ADVISED. For all you semiotics majors, Maria “La Mala” Rodriguez explores the intersection of sex, commerce, technology, gender and competition in "Jugadores, Jugadoras" (Male Players, Female Players).

Belanova is appreciative and proud that so many of Latin America’s and Mexico’s biggest stars, such Joselo and Coti saw fit to take the time to join them on their tour. The band is humble, but not without ambition; they have set their sites beyond the habla hispana, seeing potential fans in Australia, Italy and even Japan.

Why is it that some musicians have such synergy together? Belanova describes the fusión that is created when each distinct musical personality comes together, and how this unique “fusion” has brought them from after-class practice to stadium-filled tours.

Bienvenido al sueño is the first solo effort by the artist formerly known as Rubén Albarrán—of Café Tacuba / Café Tacvba fame. (‘Tacuba’ became ‘Tacvba’ after a lawsuit, according to this Wikipedia entry.) Check out Sizu’s wild video to the album’s title track. Nice hats, no?