Some people could see Arturo Vega as just a guy who happened to design the Ramones logo, but the truth is that he had to get his hands dirty with hard work, and that meant loading tons of equipment, manning the lights and basically doing whatever was needed by the band. The reward was great: thousands, maybe millions, wearing an image that he created.

Arturo Vega is a big part of The Ramones’ history. We even have proof! Actually he was the one who designed the well known Ramones’ logo, which is one part presidential seal, one part outlaw biker. In this interview he tells us why they chose to be represented by an aguila.

Alejandro Fernandez is not just a Mexican singer any longer: he has become a star of Latin-American proportions. Not only has he succeeded everywhere but he also has adopted different sounds from different countries. Viento a Favor was recorded both in Buenos Aires and in Los Angeles, a perfect axis through the whole continent.

To hear La Gusana Ciega play live we trekked to a club called Babel located in a giant mall / theme park called Mundo E, located just north of Mexico City. Come backstage with us for an exclusive interview you’ll find only here!

A little research tells us that the musical comedy Arturo did with Héctor Suárez at the Teatro de los Insurgentes was Sigue tu onda (Follow Your Wave), a Spanish language adaptation of a Broadway show known to American theater-goers as Your Own Thing. Soon Arturo himself would be heading to New York on a tip from Paul McCartney’s agent that he could land a spot in Hair...

Arriving in December of ‘71, a young Arturo Vega decides that it is New York where he is going to clavar, or stay put. His journey began in Mexico, where he began his artistic life as an actor and participant in experimental theater or “happenings”—an art form which was not well received by the powers that be in that country.

We’ve all heard of the bolero, which has its modern roots in nineteenth century Santiago de Cuba (even though we might not be able to hum one on cue). But what about the cuartetazo? Born in Córdoba, Argentina, and derived from Spanish and Italian dances, the name is derived from the fact that the earliest players were invariably four-piece bands. The rhythm is similar to merengue.

¿Quién es Javier García? With his producer (and two-time Academy Award winner) Gustavo Santaolalla, Javier Garcia talks about his roots and influences. Also, we learn about some noted musicians who contributed to the album 13, including the great trumpet player, Arturo Sandoval.

Si*Sé brings together musical languages such as hip-hop, funk, rock, jazz and even classical violin. Singer Carol C, who grew up in a Spanish language household within an English language city, adds bilingual vocals that pull together the group’s electrifying sound.

Let's have some fun singing and learning about the different parts of the body with Jacky!

Singer-songwriter Luis Guitarra teaches us to count with our fingers, some cute stuffed animals, and a catchy tune!

Jacky sings a popular spring song. Let's learn Spanish by singing!

The English representation of the sound that a rooster makes is "cock-a-doodle-doo," but what is it in Spanish? Learn this and more as Jacky sings us the "Farmer's Song."

The narrator of the 1998 single, “Agua,” from Spanish rock band, Jarabe de Palo’s second album, Depende, wants far more than his friend from their seemingly ambiguous relationship.

Jorge Celedon is a Colombian singer specializing in the Colombian folk genre, vallenato. In "Me gustas mucho" [I Like You a Lot], he sings about his affection for a girl with beautiful eyes.

Karen invites us to explore the heart of Monterrey, Mexico's nightlife, the "Barrio Antiguo," or "Old Quarter."