Did you hear the one about the fat lady, the chicken and the drunk old man? Is it ok to say the word “drunk”? Let’s find out!!!

Zoraida is a big fan of one of Spain’s newest exports, La Oreja de Van Gogh. Besides listening to “Van Gogh’s Ear”, let’s find out what else she likes to do for fun in her spare time… apart from giving interviews!

Zoraida is a spunky young woman from coastal Venezuela who talks about her recent past and her hopes for the coming year.

Zoraida tells us a little more about her plans, both in the coming months but also coming years. She’s interested in learning languages and traveling.

Sometimes it’s nearly impossible to understand younger folks speaking in a language that’s not native to you, and other times it’s extremely easy. Luckily, Zulbany falls into the latter category! Let’s listen while she tells us about her trip to Mérida, up in the Andes.

Young Taimur’s Spanish is not quite as easy for the non-native as that of his neighborhood pal Zulbani, but he does have a lot of interesting things to say! Listen up, because our young friend presents an opportunity to hear some expressions and turns of phase you may have not heard before.

Recently the song "Mesa Que Más Aplauda" from the Mexican group Climax had reached coastal Venezuela and was blasting from every bootleg music kiosk and bus stereo. Its catchy, inane, meaningless refrain za za za, yakuza, yakuza was on the lips of every impressionable child from 5 to 50. Taimur was no exception (nor were we!)

Marriage and children bring with them needs and responsiblities that a soltero doesn’t have. Rafael hopes to grow his small pharmacy into a cadena of drug stores that he can use to benefit his wife and kids. To raise the necessary capital, Rafael is working abroad for a few years.

Emiro used to live in oil-rich Maracaibo, where his father was headmaster of the school system Shell oil ran for the children of employees. (Did you know: Venezuela is the only country in the Americas that’s a member of OPEC? And a founding member at that!)

Emiro spent years crewing an oil tanker, and many more as a fisherman commanding his own lancha, so it’s no surprse to find him at the helm of his own seaside kitchen, the Pimienta Café in Adícora. Join us as we drop in to check out the menu!

José Rodriguez, the caretaker of a beautiful finca, or farm, is kind enough to show us around and tell us a bit about the area and himself. You will probably realize that pues, as José employs it, is a common muletilla (“filler” word), used to add a bit of emphasis or just as a matter of speech style, and doesn’t really always have to be translated (though it can often be thought of as akin to “well”).

Carlos and Angeles are a young couple from Burgos, located about an hour and a half north of Madrid, a city that dates back to 884! The surrounding province is also known as Burgos, and tucked inside it is an equally historical town known as Lerma, which is where we meet up for a walk and conversation.

Arriving in December of ‘71, a young Arturo Vega decides that it is New York where he is going to clavar, or stay put. His journey began in Mexico, where he began his artistic life as an actor and participant in experimental theater or “happenings”—an art form which was not well received by the powers that be in that country.

A little research tells us that the musical comedy Arturo did with Héctor Suárez at the Teatro de los Insurgentes was Sigue tu onda (Follow Your Wave), a Spanish language adaptation of a Broadway show known to American theater-goers as Your Own Thing. Soon Arturo himself would be heading to New York on a tip from Paul McCartney’s agent that he could land a spot in Hair...

Juan paints outlines on his tiles using a paintbrush and manganese oxide, but at one time practitioners did this by laying down fine strings dipped in wax, and this explains why Juan still calls the technique he uses cuerda seca, or “dry cord.” Note that he describes the technique as one of alto relieve, or “high relief,” which is the opposite of bas-relief (low relief).