Upon discovering an incredibly juicy secret about Sam, Pablo advises him to keep it from the girls.

Lola, Ana and Pablo are excited to take Sam to celebrate Carnival, when their landlord pays them a surprise visit to ensure that her rules are being followed.

As Sam continues to increase his Spanish vocabulary, Lola and Ana seem increasingly intrigued by their foreign friend.

Pablo and the girls compete to take Sam shopping in an attempt to get him to reconsider his eccentric style.

As Pablo tries to teach a confused Sam the names of the articles of clothing in Spanish, the girls fight over which parts of his body each will be in charge of dressing.

Sam calls his mother to tell her how excited he is about the prospect of his new friends dressing him in hip Spanish style. Later, while brushing up on his shopping terminology, he receives an unexpected call.

Pablo, Ana, and Lola eagerly give Sam the clothes they have bought for him, only to find that Sam's own attempt at shopping online has not gone exactly as expected.

After Sam's attempt to grocery shop online does not go exactly as planned, his housemates are determined to teach him how to shop for clothes in person.

Lola, Ana, and Pablo are shocked when Sam enters the room with a new look and is eager to show off- not only his new clothes, but also his improved Spanish!

Who doesn't to like to eat deliciously, healthily, and at the best price? This time, Fermin takes us to the organic market in the town of Coin in the province of Malaga, Spain, which is promoted by the producers and consumers of a renowned non-profit organization.

Native Colombians speak about the importance of taking pride in their traditional music as well as its influences as they look forward to celebrating it at a festival.

Colombians at the Mono Núñez Festival in Cali talk about their objectives for attending it, among them the importance of preserving traditional Colombian rhythms in a period in which their mainstream popularity is waning.

Festivaliando continues its behind-the-scenes peek at the music, performers and attendees of the famed Mono Núñez Festival in Ginebra, Valle de Cauca, Colombia.

At Colombia's Mono Núñez music festival, many indigenous musical instruments can be heard. Learn about some of them in this video.

Mario learns that diversity at the Mono Núñez Festival extends beyond the various Colombian musicians, as English people seem to enjoy Andean music as much as Colombians do!

Singing in Nasa Yuwe, their native language, is one way in which Colombia's indigenous Nasa population strives to preserve and make more visible their language, culture and customs.

At Colombia's Mono Núñez music festival, native Colombians and foreigners alike share their deep love for traditional Colombian music.

European and Colombian aficionados of "bambuco" music give their perspectives on whether this Colombian genre has European influences.

At Colombia’s Mono Núñez music festival, native Colombians and foreigners alike share their deep love for traditional Colombian music. At the suggestion of one Colombian musician, some of them agree to create a cultural exchange group so that musicians from various countries can discusss the Andean music they are so passionate about.

As the festival continues, we meet a group of Colombians who talk about how they've modernized the themes of the Andean music they play. We also meet an Argentinian who shares about the types of songs she performs.

As the festival goes on, we encounter a sixteen-year-old winner of the Best Tiple Player award while some twin singers offer some insight into their particularly well-coordinated voices.

Feeling for the vendors who don't get a chance to hear the wonderful music at the Mono Núñez Festival, our host comes up with a plan to take the music to them. He furthermore interviews an Argentinean member of a group who makes Andean music about the similarities and differences between the Andean music made in Argentina and Colombia.

Our host at the Mono Núñez festival in Colombia continues to interview people who have come to the festival from many countries, expressing his desire to create an integrated musical product: Colombian music with influences from many different countries and cultures.

An itinerant concert at the Mono Núñez gives people who could not otherwise attend the festival the chance to experience some of its music and festivities.