Music video by Calle 13 performing "Suave" from the band's eponymous debut studio album released in 2005. Criticized for its rather vulgar lyrics, this album is nevertheless a favorite of the band's fans.

Calle 13's very first music video was shot and edited by the band's talented frontman, Residente, with help from his cousin.

French born Chilean singer Ana Tijoux bring the best of both worlds! She made part of Makiza, in Chile, and became well known in Latin American because her collaborations with Julieta Vanegas, Los Tres, Bajofondo Tango Club and Control Machete.

Vanessa shows you her school in this video. But it’s no ordinary school: here, you learn rock climbing. Martin, a student, has been practicing for several months and gives a little climbing demonstration while Vanessa explains how a student advances.

En route, Juan and friends tell about working far from home. Not only are there financial obstacles, there are cultural differences as well that lead to some misunderstandings. Americans don’t quite understand the saying Mi casa es su casa. Pay attention the next time someone from Mexico tells you there’s a party at your house!

The more we know, the bigger the dark abyss of our ignorance seems to become. Don’t worry: We can’t understand all of what this guy is saying either. That’s why the name of the show is Lo que no sabías. Follow this fast-talker to learn a bit more about electronic art, audiorhythmic shock boxes, the first computers and more…

Want to know what you didn’t know before? Here’s the first in our series of what you didn’t know about… electronic art. We talk to a veteran electronic artist who’s been playing around with computers since the old Commodore and Amiga machines connected to TV sets. He’s linking and looping, moving from one networked idea to the next. See if you can follow his rapid-fire monologue about his digital works.

This Calle 13 video not only features the group’s classic tongue-twisting lyrics but also some surreal touches. The enfants terribles (or, niños terribles) of reggaeton are never afraid of mixing genres—or metaphors.

Teresa thinks that Juan’s room has a lot of onda, which is to say that it’s got a nice vibe. But hey, Jim Morrison’s watchful gaze will do that to a pad. It’s definitely a summer of love for some, but not for Mauro: but not for lack of trying. Can he buy Violeta’s love with favors and persistence?

¿Qué bolá? That’s ¿Qué pasa? (What’s Up?) in Havana, where your “homeboy” is your “monina,” your “consorte,” or simply ‘asere.’ Here we find musical giants Orishas back in the old barrio of Vedado.

The cocktail party effect explains our ability to isolate a solitary voice amidst a sea of yappers, music and crowd noise. Let’s meet our ladies at the disco, where background noise and the effects of actual cocktails upon speech put our own c.p.e. skills to the test. (This one is hard, use the SLOW button!)

A show about four professional women who live in the big city and talk about sex and men all the time? Where on earth did Telefe come up with this idea?

Mother Superior thinks she’s tucked them both safely in for the night, but Milagros and Gloria have other ideas, and they don’t involve preparing for mass the next morning at seven a.m. Can they possibly get away with it?

Milagros is sidelined from the fútbol match and forced to peddle soda pop to pay for the team’s new shoes. Meanwhile, el patrón is getting the third degree from his mother, who lets on to us that he’s got a guacho child of his own on the loose—spawned with the butler’s sister?

Jose (Josie) and Manuel (Mani) are great friends, and hang out together all the time. When Mani starts to go out with Clara, he’s got more than just friendship in mind, and Jose’s jealousy is getting the best of her.