Enanitos Verdes’ album En Vivo was recorded live in Tijuana, Mexico and Phoenix, Arizona (USA). The song "Tu Carcel" was written and first performed by Marco Antonio Solís, so it’s a real crowd pleaser with the Mexican and Mexican-American audiences.

An apostador is anyone who makes a wager. Control Machete’s "El Apostador" comes off their album Uno, Dos. This exquisitely animated video backs up the song’s tale of have and have not. It must be your lucky day, because we’re betting that you are going to learn something!

The Puerto Rican rockers Circo never do explain what the accidente was exactly, but it doesn’t make this music video any less entertaining to hear. Lead singer Fofé (aka José Luis Abreu, formerly of El Manjar de los Dioses) sounds at times like a latin Robert Smith of the Cure. But maybe it’s the other way around, since Smith is said to be a fan....

Medio signifies “half,” and so of course mediodía comes around at 12 o’clock noon (“half day”). Café Tacuba’s Rubén Albarrán ponders another perfect sunshine midday and wonders why he is has no one with whom to share it. Live concert video! (See Rubén’s guest appearance in Inspector’s video for the tune "Amnesia".)

Fernando Hortal, aka Bahiano, broke away from his band of 17 years, Los Pericos, in 2004 to go it alone. This video shows the rufían delivering milk and a little more. Oyelo, ¡te gustará escucharlo!

Who is this woman that Marciano Cantero met in Denver one winter evening? (Madonna?) It may have been a temporary affair, but the song it inspired has endured, proving to be one of the Enanitos Verdes’ biggest crowd pleasers, as you can see from this concert footage.

So what is it with this Latin American love of ska, a Jamaican genre from the early 60’s that’s had a second coming amongst British and American bands since the early 80’s? Lucky for us, ska is almost always sung very clearly, in short, catchy, easy to understand phrases. Liquits hails from Mexico City, but this award winning group has been hopping continents to record and play for a growing audience since 1993. The animation is ¡padrisimo!

¿Quién es Javier García? With his producer (and two-time Academy Award winner) Gustavo Santaolalla, Javier Garcia talks about his roots and influences. Also, we learn about some noted musicians who contributed to the album 13, including the great trumpet player, Arturo Sandoval.

We’ve all heard of the bolero, which has its modern roots in nineteenth century Santiago de Cuba (even though we might not be able to hum one on cue). But what about the cuartetazo? Born in Córdoba, Argentina, and derived from Spanish and Italian dances, the name is derived from the fact that the earliest players were invariably four-piece bands. The rhythm is similar to merengue.

Javier Garcia was born in Madrid to a Cuban father and spent his earliest years in Spain before heading to boarding school in Ireland (from whence his mother comes), finishing high school in Miami after the age of 16. So what kind of Spanish accent does he have? Well, by his own admission, something of a Cuban one when he sings, a kind of a Spanish one when he talks… (we called him and asked!)

Marriage and children bring with them needs and responsiblities that a soltero doesn’t have. Rafael hopes to grow his small pharmacy into a cadena of drug stores that he can use to benefit his wife and kids. To raise the necessary capital, Rafael is working abroad for a few years.

What if you took a bunch of musical aces from Bogotá and asked them to cook up a picante take on the Led Zeppelin classic “Babe, I’m Gonna Leave You”? Wonder no longer…

Recently the song "Mesa Que Más Aplauda" from the Mexican group Climax had reached coastal Venezuela and was blasting from every bootleg music kiosk and bus stereo. Its catchy, inane, meaningless refrain za za za, yakuza, yakuza was on the lips of every impressionable child from 5 to 50. Taimur was no exception (nor were we!)

Young Taimur’s Spanish is not quite as easy for the non-native as that of his neighborhood pal Zulbani, but he does have a lot of interesting things to say! Listen up, because our young friend presents an opportunity to hear some expressions and turns of phase you may have not heard before.

Cianuro is, as you may have guessed, the Spanish term for “cyanide,” a poison that has long been used to propel dramatic intrigue. In Gabriel García Márquez’ Love in the Time of Cholera, for example, the photographer kills himself with it. Watch closely for the lethal chemistry cameo.