Mauro fired Juan from the record store. But why does his sister care? Sergio wants a chance to explain things to his wife Dolores, but why doesn’t she want to hear it? Tune in and let’s try to figure it all out.

Juan and Violeta’s mom overhears them talking, and finds out that Juan has been fired. She doesn’t take the news well. Meanwhile Dolores continues to tell Sofi about the line Sergio has been feeding her.

Sofi’s “ex” seems to be courting a restaining order, no pun intended. Meanwhile, Jose, still pining for Mani, has a heart to heart with her brother, Franco, over the breakfast table about unrequitted love.

Totally ignorant of Jose’s longing for him, Mani (“el soñador”) is having his own private chat with Juan (who’s motto is: “quizás signifca sí”). It’s Clara, not Jose, who’s on Mani’s mind. Franco is thrilled with the job Violeta is doing, but tension is in the air when a cunning rubia enters the scene.

Mauro’s not afraid to place a wager on his success with Violeta, though we wouldn’t bet on it ourselves. Franco drops into Dolores’ shop, just in time to realize that Sergio is the father of Brisa.

It turns out that Tere wants to learn the piano, just like grandma. Or could it be she just wants an excuse to be with Juan? Mani stops by Amalia’s kiosk but forgets his Oreos on the way out.

You know, it’s never the drummer or the bassist that gets the big ego, it’s usually el cantante. In this case one is about to ruin Viole’s big opening party by refusing to play on a small stage. Is this Juan’s big chance for rock and roll stardom, or is he better off sticking to his new job as plomo (roadie)?

Mauro thought he’d seen the last of Juan when he fired him from the record store, only to find the boy raiding his kitchen fridge! Mauro attempts to throw him out but his mom intervenes. It turns out that Mauro’s sister Teresa has convinced her mother to pay Juan to teach her to play the piano. Mauro is not amused.

Tomás’ parents are leaving him all alone for the weekend, and Juan is quick to come up with a plan. Violeta, meanwhile, is cooking up plans of her own, but they don’t involve Mauro—despite his attempts to woo her back with flowers.

Teresa thinks that Juan’s room has a lot of onda, which is to say that it’s got a nice vibe. But hey, Jim Morrison’s watchful gaze will do that to a pad. It’s definitely a summer of love for some, but not for Mauro: but not for lack of trying. Can he buy Violeta’s love with favors and persistence?

While some people are trying to get to the party at all costs (and that means dodging grandma’s attentions for Benji), the only thing Tomás wants to do is to get out of there. Don’t let the panza pain fool you, he’s definitely in love with Clara. We can feel the temperature growing higher and the plot getting closer and closer to the ignition point.

Veronica explains how analyzing situations separately, making conscious decisions and letting go can help us to achieve a sense of calmness in our lives in spite of the many stresses we all face.

Veronica explains to us about a type of therapy that she calls, "psychocorporal reprogramming," which aims to maintain balance within human beings by adjusting how much emphasis is given to their different needs at various times in their lives.

Carlos invites you to travel Colombia with him, but first, wants to explain a few preliminary things.

Carlos takes us on a tour of the Puente de Boyaca [Boyaca Bridge], an important Colombian landmark which pays tribute to influential historical figures such as Simon Bolivar.

Carlos invites us to visit the region surrounding Lake Sochagota in Boyaca, Colombia and discover the romantic origin of its name.

Carlos takes us to Popayan, Colombia, a city in the country's southwestern Cauca Department. Nicknamed the "White City" for its white-colored structures, Popayan is also well-known worldwide for its historical and religious heritage as well as its famed Holy Week processions.

Carlos gives us a tour of some of Popayan's most interesting historical and religious attractions.

Carlos takes us on a tour of Tulcan Hill, the most important archaeological site in the city of Popayan, Colombia, as well as some other notable landmarks in the city's center.

Carlos concludes our tour of Popayan by pointing out several bridges as well as the Pueblito Patojo, a unique area containing miniature replicas of many of the city's most notable monuments.

Carlos and his Uncle Fredy talk to us about the tradition of the "año viejo" in Colombia. Literally meaning "old year" (and also the name for the "New Year's Eve" holiday), an "año viejo" is symbolic doll that can represent a multitude of themes and especially the leaving behind of the sorrows, failures, and suffering of the year that is ending in order to kick off a better New Year.

Now, Carlos' Uncle Fredy will show us how to make an "año viejo" doll from old, no-longer-used clothing, which will ultimately be burned as part of a Colombian tradition that represents "out with the old, in with the new."

If you ever have the chance to visit Bogotá, Carlos has a very special suggestion for you! Let's accompany him to Andrés Carnes de Res, one of Colombia's most unique and well-known restaurants, and find out what makes it so special.

Fermin introduces us to Frigiliana, one of the most beautiful White Towns in Andalusia with its naturally beautiful surroundings, whitewashed houses adorned with colorful flowerpots, local arts and crafts, and scrumptious cuisine.