We asked Carli Muñoz if he’d play a few bars of his latest compositions, and, luckily for us, he obliged. One of the tunes, “Portrait of Mia,” was written for his brand-new hija, Mia. We’re wondering if he’ll ever address her as mi’ja.

“Rock en español” is what we refer to the relatively new movement of musicians from Spanish speaking countries singing in their native language. Back in the sixties and seventies, these musicians were taken up with rock like much of the rest of the world, but they sang in English. Puerto Rican Carli Muñoz explains while looking back over his career.

Being a rebel is an undeniable part of becoming a rock star, and that’s something that Carli Muñoz couldn’t avoid when he was a kid. He had a head full of music, but little patience for music lessons. Lucky for him, the owner of the instrument store let him pound out his own musical education on the store piano.

Some people say that rock ‘n roll is half attitude and half talent. We already know that Carli had enough disrespect for the rules to make it and in this video he makes it clear that he has enough respect for the music to complete the equation.

Here’s an emotional song to make quinceañeras scribble endlessly in their diaries and polish off entire Kleenex packets. Camila is a Mexican band that’s been touching sensitive teen souls since 2006—yet Mario Domm (the lead singer and brain behind the project) has been around longer than that, producing songs for artists as Alejandra Guzmán and Kalimba.

Camila was founded by award-winning composer and producer Mario Domm one day while he was recording a client’s album. Samo was called in to do back-up, and his voice impressed Mario so much that he thought they should work together. Add in Pablo Hurtado on guitar, and you have Camila. See what it’s all about with this song from their 2010 album. The vocals are a marvel.

Puerto Rican half-brothers Residente (René Pérez Joglar) and Visitante (Eduardo José Cabra Martínez)—nicknamed for their respective roles in their weekly step-family visits to 13th Street—together make Calle 13. The music of Calle 13 is a sort of hip-hop/reggaeton with a sense of humor and playfulness. Watch out for the bleeped naughty words.

The kings of Alternative Reggeaton, Calle 13, are well known for their smart, fast and funny lyrics; they disrespect anybody and everybody. That’s why "Un beso de desayuno" is a surprise: for the first time we are tempted to leave off the viewer discretion sign in a Calle 13 video!

Explosive rhythms and politically incorrect lyrics are part of what made Calle 13 an international superstar. This song "Atrévete-te-te" is one of their first hits that made people turn their heads and move their hips all over the dance floor.

This Calle 13 video not only features the group’s classic tongue-twisting lyrics but also some surreal touches. The enfants terribles (or, niños terribles) of reggaeton are never afraid of mixing genres—or metaphors.

“No hay nadie como tú” (“There Is No One Like You”), the first single from Calle 13’s third album, features the Mexican group Café Tacuba. Over a blend of pop and reggaeton music, Residente, the lead singer of Calle 13 discovers that no amount of naming can contain or define his amor.

Calle 13 joins up with Cuba’s Orishas to sing a paean to those pobres who hike pa’l norte (northward) in search of a better life. The first 13 captions are very colloquial and difficult, but after that this video is very clearly annunciated with lots of great vocabulary, so hang in there! This song is thought-provoking and catchy. No one will ever accuse Calle 13 of taking a weak position in rhythm or in politics!

Calle 13's very first music video was shot and edited by the band's talented frontman, Residente, with help from his cousin.

Get ready for Residente’s smart mouth and his tongue twister lyrics with a high level of cynicism. This song was co-produced with Gustavo Santaolalla, mastermind of the electronic tango band Bajofondo.

Music video by Calle 13 performing "Suave" from the band's eponymous debut studio album released in 2005. Criticized for its rather vulgar lyrics, this album is nevertheless a favorite of the band's fans.