Goy plays guitar and sings for Karamelo Santa, one of the best ska bands in Latin America. Argentina is the band’s homeland (they are practically from the Pampas). But the 7 boys with wild hair and wild songs do not sing around a Gaucho campfire; their sound reverberates in the world’s largest cities.

In this episode of Muñeca Brava, we strongly recommend that you don’t trust anyone. Milena pays a visit to Luisa ignoring the weird doctor-patient relationship that they had. Then Martita tries to snitch on Milagros, ignoring the fact that she also has her own share of dirty laundry. And there’re so many love triangles that it’s starting to look like a geometry class.

What’s that strange man doing in Milagros’ room? And is that obviously fake beard part of his disguise or a makeup slip up?

Why is La Virgen de la Soledad so important in Milagro’s past? Finally it’s the moment to tackle our protagonist’s mysterious origins. Meanwhile, is Ivo ready to ask his father some important questions?

Alfredo pays a surprise visit to Luisa who is visibly confused. Is Alfredo her psychologist, her friend or something more? Luisa doesn’t have any idea and the whole situation is driving her crazy. She certainly needs help, but who is she going to call if the problem is the only person she trusts?

Finally, Ivo acts on his threats. He asks his grandmother—the refined Señora Angelica—to fire her maid Milagros. Why? Because Milagros is una cloaca, un desastre and, well, casi salvaje. But Grandma has some of her own ideas cooking…

Always with a light touch, often with full force, Bersuit Vergarabat dishes out social commentary and political activism. "Madre Hay una Sola" is no exception, as Gustavo Cordera apologizes to Mother Nature for the damage done to her by the human race.

While some people are trying to get to the party at all costs (and that means dodging grandma’s attentions for Benji), the only thing Tomás wants to do is to get out of there. Don’t let the panza pain fool you, he’s definitely in love with Clara. We can feel the temperature growing higher and the plot getting closer and closer to the ignition point.

Through una trampa Cholito catches Ivo in bed with a nun and turns it into una extorsión while confronting him about paying up, or poniendo estaba la gansa, for an apuesta that he lost to a friend.

Vamos al grano, Babasónicos might just be one of the most popular bands on the planet, as popular in Distrito Federal (Mexico City) as they are in Capital Federal (Buenos Aires). "Risa" is un tema pegajoso, which is to say “a catchy tune,” that for sure te gustará mucho (you’ll like a lot)!

In most Spanish dictionaries una yegua is “a mare,” as in “a female horse.” But in Babasónicos’ homeland, Argentina, it can also mean “a sexy thing.” To settle on your own definition of this song’s title, you may just have to watch! (By the way, this is currently one of the hottest bands in Rock en Español.)

Sole likes her candy, but she’s not averse to sharing it. In Spanish, a lollipop is known as chupa-chups, piruleta or paleta. Do you have a favorite flavor?

Amelia and the girls at first don’t know what to make of him, a small man who arrives with a big wad of money. Soon enough it becomes apparent, Santiago Ritchie is intent on having more than a little fun. (But could that be the only reason for his largesse?)

Milena is enjoying some theater from her private box when Santiago Ritchie appears. Milena wants the lowdown on what he found out about Amelia’s girls while visiting. Santiago obliges. Flavio sleeps.

When we ask for two, we’re happy to get any, but Melina is a lady not used to being short-changed, abril bello or no…

Gloria and Majo are still on the same job but inhabit different planets. Meanwhile Melina connives to plant seeds of desertion in Gala’s unsuspecting head…

Who is this woman that Marciano Cantero met in Denver one winter evening? (Madonna?) It may have been a temporary affair, but the song it inspired has endured, proving to be one of the Enanitos Verdes’ biggest crowd pleasers, as you can see from this concert footage.

Enanitos Verdes’ album En Vivo was recorded live in Tijuana, Mexico and Phoenix, Arizona (USA). The song "Tu Carcel" was written and first performed by Marco Antonio Solís, so it’s a real crowd pleaser with the Mexican and Mexican-American audiences.

The stupendous Natalia Oreiro released the fiery single “Me Muero De Amor” even before it became the theme song for Muñeca Brava, in which she also stars. The show was a smash hit not only in Latin America but also in Europe and the Middle East, and as such buoyed worldwide sales of the record.

The house is called “La Soledad”, which might be fitting enough for some of the souls who dwell within it. Grandma hasn’t left her room in years, nor is she on the best of terms with her son, the patriarch of the house. He, in turn, is no longer exactly enamored with his wife, nor sympathetic to her weakness for the bottle. The fun is just beginning…

Federico’s secretary invites him over for dinner, but there will be no berries and cream if she can’t be the master chef. Meanwhile… our delinquent little minas have escaped the confines of the convent orphanage.

Tío, there is something creepy going on upstairs in that big house! Anyway, the real action is at the dance hall, and that’s where we find our truant heroine, Milagros, and her willing accomplice, Gloria.

In the previous segment we found Milagros and Gloria shaking it to un ritmo vallenato from Colombia’s Caribbean coast. Upon her return to the convent, Milagros is singing Ricky Maravilla’s "¿Que tendrá el petiso?" which probably got its inspiration from "Locas por el mambo", a huge 1950 Havana hit from the great Benny Moré.

It seems the brother-in-law is having an affair with the cook’s daughter, who is trying to get him to help her out of her maid’s uniform, and not only during the wee hours of the morning. But it doesn’t seem like el patrón is in the mood to be doing any favors for his wife’s brother, does it now?